Youtube.com Cannondale Hollowgram Crank Removal Tutorial SISL2 - YouTube 1920 × 1080 - 82k - jpg cannondale.zendesk.com Cannondale Road SiSL2 and Si Cranksets – Cannondale 800 × 453 - 60k - jpg youtube.com DIY Cannondale SISL Crank Arm Removal - YouTube 1476 × 830 - 61k - jpg youtube.com Removing Cannondale Hollowgram Cranks - YouTube 1920 × 1080 - 103k - jpg bikeresource.blogspot.com Cannondale Hollowgram SL Crankset Owner's Manual Installation and. 1415 × 998 - 209k - jpg youtube.com Remove cannondale hollowgram si sisl sisl2 crank arms - YouTube 1920 × 1080 - 186k - jpg bikeradar.com Cannondale expand Hollowgram crank offerings - BikeRadar 800 × 533 - 342k - jpg weightweenies.starbike. Hollowgram SI vs. Hollowgram SI SL? - Page 2 - Weight Weenies 800 × 600 - 95k - jpg youtube.com Cannondale Hollowgram SI - The Stiffest Crankset They've Ever Made. 480 × 360 - 36k - jpg cannondalespares.com Cannondale Hollowgram SL MTB Crankset Parts List and Exploded. 900 × 576 - 96k - jpg bikeforums.net BB30A compatibility question - Bike Forums 780 × 545 - 109k - jpg bikeresource.blogspot.fi Cannondale Hollowgram SL Crankset Owner's Manual Installation and. 1410 × 1004 - 176k - jpg youtube.com HACK On How To Remove Cannondale Hollowgram Crankset With Simple. Hollowgram SL. Hold crankarm with your hand and turn the Allen key counter-clockwise to remove bolt from the crankarm. Remove the thin. Cannondale tool KT013/. Bracket cranksets in Cannondale System Integration (SI) road or mountain bicycle frames. I had a family friend offer me a Nuevo Record equipped Rossin and a few wheelsets. I tured him down because it was too small and I knew he could make good money on it (He did). I do regret not throwing him some cash for one of the wheelsets. It was tricolor hubs laced to some nice tubular rims of the. Here goes: 1998- Next wipeout (will never forget my first bike) 2001- mongoose K.O. 2003- huffy bmx 2006- next power x (snapped the bars, and the frame. Big p.o.s.) 2006- diamondback bmx (first real bike felt incredible) 2008- shwinn cruiser ($40 at walmart and needed a bike) 2009- 80's kawasaki kx-175 mtb ( $20 at a garage sale and still works without any maintnance to this day) moved to a city area and got out of riding for a few years, got back into it around 8 months ago 2011- Fezzari kings peak (current bike) with an outrageous amount of miles and mods done to it. Got this bike in october, and havent gone more than a few days without taking it out for a ride. Its a cool thing when you grow up on shitty bikes for the most part, than you reaaaaally learn to appreciate the modern hobby grade bikes •. '60s era Schwinn single-speed cruiser, blue. Learned to ride on that bike, first by taking suicide gravity runs as I couldn't reach the pedals. Later hose-clamped some 2x4 blocks to the pedals. '70-something Schwinn Stingray, lime green '70-something Centurion LeMans 10sp, great bike that one '79 Mongoose MotoMag, nickel-plated '87 Nishiki Backroads '90 Specialized Hard Rock '99 Cannondale M400 w/ Rock Shock '12 Gravity 29.4 There was an '80s Huffy mtb from monkey wards in there somewhere, best left forgotten. Man I have nothing on some of you guys: Schwinn Banana seat, prolly about 1970 vintage-don't know what happened to it, think I just wore it out. Schwinn ten speed - had all the way through high school A&A BMX built myself - stolen Schwinn BMX built myself, forget the model - stolen. Didn't have a bike the entire time I was in the Air Force, ten years. Bought a Nishiki mountain bike in the early nineties and rode that until recently. Cleaned it up and gave it to my son in law. Now own: Felt Z6 road bike Trek Mamba Trek Fuel EX7 There were a few others in there that I don't remember anymore but I do remember breaking a few frames and welding or brazing them up for BMX use. I think I probably only had two or three for a very short period of time. Dang, I can do this with Guitars, motorcycles and cars, but never thought about bicycles:confused: Here goes. The early ones are going to be tough:nono: Probably some tricycle of some type:) Then some bike with training wheels:???: Then some hand me down banana bike THEN I got a brand new Western Auto banana bike that I had to chip in $10 towards (my Dad wasn't very rich). But $10 back then is like $5,000 today!:cool: and it was a click grip 3 speed. And it got stolen.:confused: Then I bought some funky Schwinn banana bike thing that had a 24' rear wheel and a 20' front. Then, I bought my first 10 speed! A Sears with simplex derailers and good hubs and all that stuff Upgraded to a VisCount 10 speed with the chrome moly frame and aluminum fork. It was pretty dang light. Kept that one a long time. Finally got my first mountain bike called a Panasonic. It actually was spec'd out pretty good over some of the cheaper units of the 80s. Bought a Trek 8000 in the 90s. That was a great bike!! Still have it. Bought a Lemond road bike in the early 00s. That thing was great! Poor / rude drivers and cell phones put an end to road riding sadly. Bought a Trek 8500 in the early 00s. That was a great bike, still have it. Bought a pair of Schwinn banana bike reissues. Lemon peeler and a stingray, still have em:cool. But probably going to sell em now. Bought a used 08 Santa Cruz last year and that is a great bike!! I guess that's it.:???: •. Can't remember the ones from when I was a teen, but one was pink! I'm rubbish at selling/parting with things so still got all my bikes I've bought/built since 2005/6 First one is some raw 14' dirt jump frame that I used for XC, but this thing can take a serious beating! Has a raked out 65 deg HA with 150mm forks. They said it'd break in '06, turns out it's the fashion now:rolleyes: Trek session 77, similar geometry to most modern DH bikes after certain tweeks. Heavy but it'll never break. 2009 Devinci Frantik, my go to bike. This is such a fun bike. Light for such a strong bike. Lastest addition is my Ragley Bagger, took it to Bala for an uplift the other week. I'm amazed at how much more supple it is than my alloy hardtail! Various Bigwheels Some kind of streamer/tassle equipped 16' solid rubber tired thing (1978) Orange Huffy with a huge shock absorber under the top tube. Must have weighed 40 lbs.(1981ish?) Murray Baja as soon as I saw the commercial before Christmas it was all my parents heard about. 1987 Schwinn Impact. Had this till 2009! 2003 Trek 5900 OCLV, uber carbon blah blah blah.(for sale). 2012 Giant Talon2 with fork upgrade (sold). Late 80's Diamondback Apex, current commuter with various mods. Brand new Gravity G29 ss (1st trail ride is tomorrow). Hoping to sell the afore-mentioned Trek 5900 and build or buy a Cyclocross type bike for commuting and (as I get in shape) the 2013 race season in AZ. This could take some time, so I'll not put all the childhood stuff. I'll start as a teenager. The BMX Years 83 Diamond Back Silver Streak 84 Raleigh Aero Pro Burner 85 DP Firebird Freestyler Onto MTB 87 Cannondale SM600 89 Saracen Tufftrax 90 Cannondale SM800 Then a big gap- cars, motorcycles, drinkin' girls etc. 86 Cannondale 95 Proflex 92 Fat Chance Yo Eddy (aquafade) 94 Fat Chance Shockabilly 92 Mountain Goat WTR 89 Concorde 94 Kona Hei Hei 93 Klein Attitude 94 Fat Chance Titanium 92 Fat Chance Yo Eddy (white) 89 Pace RC100 07 Yeti 575 93 Klein Quantum road bike 89 Yeti FRO 83 Stumpjumper 37 Schwinn Excelsior 09 On One Inbred 07 Moots Rigamootis 08 Independent Fabrication Ti Delux 09 Cotic Soul 11 Banshee Spitfire Current crop 37 Excelsior Klunker 74 Caloi roadbike hot rodded into a 1920's style path racer. 77 Breezer Series One Replica 84 Mongoose ATB Pro 86 Cannondale SM600 92 Fat Chance Yo Eddy Aquafade 96 Kona Humuhumunukunukuapua'a 12 Cotic BFe 12 Salsa Fargo 12 Strangelove 29er And just ordered Surly Pugsley. Some green thing with plastic wheels til the wheels fell apart 2. A big Huffy that looked like a motorcycle.except not cool. My sister's old blue 10 speed 4. A GT BMX bike 5. A 1995 or so Diamond Back Mountain bike with bright purple bar ends (stolen) 6. 2004 Trek 8000 (gift from my dad that got me to fall in love with MTB) 7. 2011 Specialized FSR XC 8. 2011 Trek Fuel EX8 9. 2007 Specialized Big Hit III 10. 2010 Trek Remedy 9.9 11. 2012 Specialized Demo 8i All but 10 and 11 are now gone. Sears MX (late 70's with black/orange fade paint and a moto seat, bent the frame jumping curbs) BCA Freestyle (early 80's white and purple, broke the frame) 86 Haro FST (red, broke it in half on a quater-pipe) 87 GT Pro Freestyle Tour (chrome! I have been riding bikes since before I can remember. These are the first 'Real' Bikes that I have owned: 1986 Mongoose Californian (First got into BMX racing and needed a real bike) 1987 Haro Sport (Uprgaded everything- Profile Cranks, 3 wheel sets - Peregrine HP48's. Awesome thread! Brings back some good memories. Not a big list compared to some of the previous posters but had a ton of fun on each! I saw that some threw in their non-human powered bikes so I did the same. 1) Red Schwinn Stingray with banana seat and handlebar tassels 2) Yellow Schwinn Stingray converted to jinky BMX bike (parents too cheap for a Predator) 3) Schwinn World Sport 10 speed ---Long break before another bike 4) Trek 420 road bike 5) Trek 4200 (or something) fluorescent yellow road bike 6) GT Bravado MTB 7) LeMond Zurich 8) Roark custom titanium road 9) Harley V-Rod 10) Triumph Speed Triple 11) Santa Cruz Superlight 12) Dawes track bike 13) Triumph Thruxton 14) Niner Air 9 •. Oh man cool topic. I have owned twice as many bikes as on this list but I'm not going to count bikes I only had a very short while, beaters that never really worked, project / novelty bikes, etc. I've built a few monstrosities not on this list. 80’s Raleigh cruiser with banana seat, blue 2. Late 80’s Kuwahara 5 speed 20”, black 3. Early 90’s GT BMX race bike 4. 1992 Trek 830 Antelope – got me into XC racing 5. 1993 Rocky Mountain Stratos – raced for several years until I was sponsored, everything pimped out on this bike. 1994 Norco TNT – full XTR, Fox fork – ultimate machine, bought Nov stolen Feb ☹ 7. 1996 Marin Team Titanium – racing machine, took me to several big races 8. Monty mod trials bike, cromo frame! Twenty Four Bicycles Le Toy – insanely overbuilt hardtail for hucking 10. Planet X Zebdi trials bike 11. 2005 243 Racing hardtail, similar build to Le Toy. 2005 Woodman trials bike – no-holes-barred ultralight build, 19-20 lbs 13. 2003ish Independent Fabrications Team Slalom - one of the employee's own bikes - why did I sell that bike????? 2002 Santa Cruz Chameleon, blue 15. 2008 Giant Bowery singlespeed/fixed gear 16. 2008 Santa Cruz Chameleon, white 17. 2008 Soma Rush fixed gear 18. 2004 Kona Dawg 19. 2008 Adamant A1 trials bike 20. 2010 Premium Garrett Reynolds BMX 21. 1969 Raleigh Twenty folding bike (fully restored / pimped out with modern parts) 22. 2010 Salsa Vaya touring bike 23. 2010 Kona Paddy Wagon 24. 2011 Transition Bottlerocket 25. 2012 Transition Bandit 29 26. 2011 Transition TR250 And the list grows. Red tricycle 2. Some old bike from the 70's with solid tires 3. Kmart bike - cracked at the stem, stabbed myself in the side of the knee 4. Another Kmart bike 5. Yet another department store bike (maybe Toys R Us?) Asked for a mountain bike when I was 13, but my mom wasn't having it. I then took about a 17 year hiatus from biking in any form. Ungodly horrible dual suspension bike from Target 7. 1997(?) Research Dynamics Coyote One - my grandpa got it at a yard sale for $5, thought I might be able to use it 8. 2012 Trek/GF Marlin All in all, quite a horrible bike history. Having cheap parents did not help. I inherited my sisters bike when I was 4. I learned to ride it in one day and my dad helped me paint it black and we put ape hangers on it. I had a moto-cross style bike that had a rear shock on it. It was stolen the week I got it. Sears 10 speed. I rode that bike everywhere. I was riding cyclocross long before I know what cyclocross was GT Hybrid Specialized Stump Jumper Miele road bike Cannondale F900 Bontrager road bike Jamis Dakota CroMo Schwinn Fastback road bike Santa Cruz Super Light Jamis Dragon Specialized Epic Gary Fisher Rig Zion 727 29er Specialized S-Works road bike Salsa Mamasita Specialized Roubaix road bike Salsa Selma Salsa Chile Con Crosso Salsa Mamasita Replacement Frame Giant XTC29 1 •. 1969- MTD Banana seat bike 1974 Sears Free Spirit 10 spd. 1982 S&S 26' Rainbow Cruiser 1985 Diamond Back Meanstreak, first MTB 1986 Trek 400 road bike 1987 Jamis Dakota, couldn't afford the Dakar 1988 Schwinn Circuit, Columbus SL, made in Mississippi, 1990 Trek 950 MTB, 1996 Voodoo Bizango, broke it the first week I had it. Tange prestige was a little too light for me. 1996 Voodoo Wanga, crash replacement programs are great! 1997 Specialized Stumpjumper Pro 1998 Lemond Buenos Aires 1998 Gunnar Rockhound 1999 Bianchi BUSS single speed 2007 Gunnar Sport 2007 SE Lager 2008 Serotta GP Suisse 2010 Focus Black Forest Expert 2011 Salsa Mukluk 2011 Surly Troll 2012 Felt New Belgium Cruiser Still own eight of them, but I will always regret selling the S&S cruiser, the Voodoo Wanga and the Schwinn Circuit. Oh man cool topic. I have owned twice as many bikes as on this list but I'm not going to count bikes I only had a very short while, beaters that never really worked, project / novelty bikes, etc. I've built a few monstrosities not on this list. 80’s Raleigh cruiser with banana seat, blue 2. Late 80’s Kuwahara 5 speed 20”, black 3. Early 90’s GT BMX race bike 4. 1992 Trek 830 Antelope – got me into XC racing 5. 1993 Rocky Mountain Stratos – raced for several years until I was sponsored, everything pimped out on this bike. 1994 Norco TNT – full XTR, Fox fork – ultimate machine, bought Nov stolen Feb ☹ 7. 1996 Marin Team Titanium – racing machine, took me to several big races 8. Monty mod trials bike, cromo frame! Twenty Four Bicycles Le Toy – insanely overbuilt hardtail for hucking 10. Planet X Zebdi trials bike 11. 2005 243 Racing hardtail, similar build to Le Toy. 2005 Woodman trials bike – no-holes-barred ultralight build, 19-20 lbs 13. 2003ish Independent Fabrications Team Slalom - one of the employee's own bikes - why did I sell that bike????? 2002 Santa Cruz Chameleon, blue 15. 2008 Giant Bowery singlespeed/fixed gear 16. 2008 Santa Cruz Chameleon, white 17. 2008 Soma Rush fixed gear 18. 2009 Kona Humu 19. 2004 Kona Dawg 20. 2008 Adamant A1 trials bike 21. 2010 Premium Garrett Reynolds BMX 22. 1969 Raleigh Twenty folding bike (fully restored / pimped out with modern parts) 23. 2010 Salsa Vaya touring bike 24. 2010 Kona Paddy Wagon 25. 2011 Transition Bottlerocket 26. 2012 Transition Bandit 29 27. 2011 Transition TR250 And the list grows. Added the missing Kona Humu and +1 for a new addition to the family: 28. 2013 Surly Ogre •. 16' solid-tired bike dad found on the side of the road and fixed up for me - late 1970s. Some sort of Huffy BMX.I remember it had mag wheels - 1979. BMX bike called a 'Cobra'.I believe it was legit - early 1980s. Schwinn Predator b/c the above-mentioned Cobra was stolen - early 1980s. Jamis beach cruiser - mid 1980s. GT Talera - first mountain bike.was my going away to college gift - 1991. GT Corado - had XT top mounts and a Manitou M-Sport fork - 1993.the bike that got me to where I am today. Specialized Stumpjumper FSR - 1995.I was a FS pioneer! Dirt Research Kanai - 1996.did some fun things to this one most notably a Girvin Pro-Link suspension fork.yeah baby yeah! Schwinn Homegrown - 1997.one my all-time favorites and the bike that got me to be a fairly decent XC racer. Redline Monocog 29er - 2009.got me into 29ers and rigid SSing.a rebirth of sorts for my riding! Mongoose IBOC Road (1996 model year) - 2010.finally bit the bullet and got a road bike.yeah.its a full Campy 'Goose!! Specialized Stumpjumper Evo 29 HT - 2012.in a word.MONEY! Murray bmx style bike (dept. Store bike with16' wheels and training wheels) Huffy bmx style bike (moved up to 20' wheels) Roadmaster mtb style bike (18 speeds and handbrakes!) Magna mtb style bike (coil spring shock, 21 speed!) I bent the crown on this bike and my dad replaced it with a 24' BMX fork Raleigh M22 (first 'real' mountain bike) Raleigh M80 (first bike with brand name suspension and components) Specialized Rockhopper A1 Comp Disc (first bike with disc brakes) Scott Scale 30 (first carbon frame) •. Young Punk Days: 1) 1975 JCPenney 5-speed w/ sissy bar. 2) 1978 D&G 20' BMX w/ Motomag wheels. 3) 1979 Red Line Chrome Moly 20' BMX w/ Tuff Wheels. 4) 1980 FMF Alloy 20' BMX w/ Cook Bros. Dope Fiend Days: 1) 1997 Specialized Rockhopper A1 FS - Traded for leather jacket + $50 cash. 2) 1999 Pacific Full-Suspension - Found it dumpster-diving. Abandoned it after RD broke. 3) 2001 NEXT 24' Full-Suspension - Found it in front of house. Later stolen, while locked. 4) 1997 Roadmaster hardtail - Lost my license, and this was my primary ride. 5) 1993 Giant Innova hardtail - Unattended bike, in front of house. Left Roadmaster behind. 6) 2001 Giant Warp DS3 - Saw kids cut lock, and chased them away. Got bike easy 7) 2004 Gary Fisher Hoo Koo E Koo hardtail - Purchased for $40. Stolen from rehab facility. Recovered XC Rider: 1) 2006 Trek 4900 Disc - Great bike to train on, but weighed 33lbs. Sold it after 1400miles. 2) 2006 Cannondale F600 Furio - Lost 50lbs of fat, riding this bike. I have a new addiction. 3) 2005 Cannondale F2000 SL - Final XC race weight was 18.7 pounds, with 2x9 XTR crankset and Maxxis 310g tires. For 'show' only.but climbed like a raped ape. 4) 2010 Giant Anthem X2 - 22.9 pound, 'gravitating' Trail beast never ceases to amaze me. Very FAST downhill too. Fast Bike Fanatic: 1) 2007 Cannondale System Six - 15 pound, uber-thick, carbon headtube and Hollowgram Si BB30 crankset makes for a bike that accelerates like a rocket and easily handles 54mph descent without a hint of sketchiness. 2) 2001 Cannondale Bad Boy Ultra - Rescued this beat-up, Hybrid frameset/fork/bars combo from the aluminum recyclers, for $30 and gave her a new life, with paint respray, fork rebuild and ALL weight weenie race components. Weight as shown, is 19.81 pounds/8.9kg: BEFORE: AFTER: Nearly as fast as my road race bike!!! Can't remember the very first bike / trike Walmart bmx with training wheels 80s Diamondback bmx 90s Diamondback venom Didn't really bike between early teens and early 20s 2008 Motobecane 700ht 2009 Windsor Cliff 29 Team 2005 Gary Fisher Marlin 2009 Motobecane Sprint 2011 Canfield Yelli Screamy Rigid 29er built from spare parts 2012 Niner Rip 9 With motors 1995 Yamaha rt100 2001 Yamaha YZ 125 2008 Kawasaki kx250f 2005 Honda CR125r Motors and 4 wheels Powerwheels Jeep 1988 Honda 250x 2005 Honda trx450r •. My Bikes Young Punk Days: 1) 1975 JCPenney 5-speed w/ sissy bar. 2) 1978 D&G 20' BMX w/ Motomag wheels. 3) 1979 Red Line Chrome Moly 20' BMX w/ Skyway Tuff Wheels. 4) 1980 FMF Alloy 20' BMX w/ Cook Bros. Dope Fiend Days: 1) 1996 Specialized Rockhopper A1 FS - Traded away for leather jacket + $50 cash. 2) 1999 Pacific Full-Suspension - Found it dumpster-diving. Abandoned it after RD broke. 3) 2001 NEXT 24' Full-Suspension - Found it in front of house. Later stolen, while locked. I believe the devastated kid's dad 'recovered' it, after extensive searching. Karma is a biatch! 4) 1997 Roadmaster Eliminator hardtail - Lost my license/car, so this was my primary ride. 5) 1993 Giant Innova hybrid - Unattended bike, in front of house. Left Roadmaster listed above behind as 'trade-in.' 6) 2002 Giant Warp DS2 Full-Suspension - Saw kids cut lock and chased them away. Got bike real easy. 7) 2004 Gary Fisher Zebrano 700c Comfort hardtail - Purchased stripped of paint for $40. Re-stolen from rehab facility. Recovered Trail Rider(Photo-Heavy): 1) 2006 Trek 4900 Disc - First disc bike weighed porkly 34lbs. Sold it after 1400miles: 2) 2006 Cannondale F600 Furio - Lost 80lbs of fat, riding this bike. I have a new addiction(SOLD): 3) 2005 Cannondale F2000 SL Optimo - Learned XC bike handling skills on this 19-pound rocket. Purchased cheap($1200) from pro XC racer going thru divorce(SOLD): 4) 2010 Giant Anthem X2 26er - First NEW bike paid with money I actually earned myself. Transferred components from previous Cannondale race HT. It weighed 22.3 pounds(SOLD): 5) 2009 Cannondale CAAD 9/7 - My first foray into road biking. Did my first Century on this 16-pound, full Dura Ace build(SOLD): 6) 2007 Cannondale System Six - This hybrid carbon/alloy beast remains the lightest and STIFFEST bike I ever rode, at 15.2lbs(SOLD): 7) 2001 Cannondale Bad Boy Ultra CAAD4 - Found frame/fork in pile of bikes, at automotive boneyard, for $25. Restored with full SRAM X0 9-speed gruppo and SOLD, for huge profit(19.7lbs): 8) 2012 Trek Superfly 100 Pro - Upgraded nearly everything to: Easton EC90 carbon wheels, XX1 gruppo, Thomson carbon 730mm bars, XTR Trail brakes, KS-LEV dropper, Monarch RT3 shock, 120mm SID fork, Candy 4ti pedals. At 24.6lbs, it now performs on-par with 2016 Trek Fuel EX9.9. It goes anywhere all-day long. My current go-to bike: 9) 2002 Cannondale F3000SL CAAD5 - Converted to 18-pound, flat-bar Cyclocross 29er.after surviving twice being hit by cars - I'm done with Road: •. Sure me or my brother had a Big Wheel, also this bizarre 1970s plastic thing one rode by pushing feet back and forth. Sears 'chopper' with Banana seat and sissy bar. I learned to ride without training wheels about age 5 (broke frame on a sweet jump) Red Schwinn Sting-Ray with coaster brake. Motobecane 10 speed Bianchi 10 speed Maruishi Tange steel MTB with Deore XT 'Biopace' and Araya anodized rims which was about $950 in 1988. Really realy really wish I hadn't sold that one. Peugeot MTB rode to campus for years (Long period with no bike at all, another dumb move). 2006 Trek Solo (1x8 or 9, nice bike) Fisher Rig Trek Solo S *Giant Rincon Giant XTC Team *Soma Analog *Moots Rigormootis *Farley 6 *Cannondale Hooligan *Cannonade Fat CAAD with OLAF * = still own. No full suspension yet. My first bikes were from so many years ago I forget their names. Had hand-me-downs from family, and tried a bmx once, didnt like that. Raleigh (forget any other name of it) - when I was a kid. Rode this until the tires got bald. Just got rid of it actually, to a good cause. That bike had many memories. Reebok Switchback was my first decent upgrade after that - loved it, but realized after time it wasn't a good fit for me, and I upgraded from this. Kona Mahuna - what I currently ride. I just bought it this year and I'm in love with how much easier it is to ride with a nicely made bicycle. Still can't get over it or believe it. It's really my first entry level mountain bike. Haven't rode it enough this year, but I'm trying to! I take it everywhere! 80's BMX's 1992 Warehouse (like Walmart) 10-speed 'mountain bike' 1994 Marin Palisades Trail 1993 Marin Rocky Ridge (bought second hand at the start of '95) 1997 Diamondback something (alloy hardtail, black and yellow frame) 1998 Santa Cruz Heckler 1999 Giant Mosh Pro-XL 1999 Kona Kula (I think) full XTR, bought second hand in 01 2006 DMR Trailstar 2007 Kona Coilair (built up with the DMR parts, hated it!) 2005 Turner 5spot (bought second hand in 2008, loved it!) 2010 Turner 5spot DW 2015 Knolly Warden •. Beyond the random BMX bikes as a kid, my first bikes were a Low level MTB and a junk yard salvage 10 speed that really started to get my interest in biking. Had them during the ages of 11-13. Then I moved on the the 'real' bikes. Forget the exact models on some. 1992 Specialized Hardrock 1993 Dyno BMX 1995 Mongoose Rockadile 1999 Kona Lava Dome 2004 Giant VT3 2006 Cannondale F500?Early 90's Gary Fisher that I turned into a commuter 2005 Specialized Epic 2007 Specialized Allez?(2000) Kona Steel Kahuna that I turned into a single speed? Hmm, this is an interesting thread. Folks should say how the bike left their possession, there's a lot of stories there. - Some big box kiddie bike: - Some kind of huffy BMX, broke head tube junction ghost riding it off a 15ft cliff. Dad re-welded it. - Some 10sp big box bike of indeterminate brand, given to brother in law as college bike - Yakota Toulumne, stolen outside the bowling alley (idiot doesn't lock it) - 1995 Klein Rascal, custom build with Deore LX, White Bros custom wheels. Stolen outside of Chem building in college (idiot brings their nice MTB to college) - Some specialized Hardrock, traded buddy for paying his utility bill. Other buddy rode it to bars, and 'hid it really well'. But it was gone. - 2001 Specialized Stump Jumper FSR XC Comp, sold Ebay - Took a long break from MTB here due to injury and work - *2011 Yeti ASR5C - *2012 Pivot Firebird - *2013 Rocky Mountain Flatline Pro - *2014 Felt F5X - *2009 SE Bikes Filth Flyer (as a townie) * Current bikes •. Haven't ridden that many bikes - but, here we go. 1st Bike - HMX 600, frame cracked (top tube near headset). Got a guy in street to weld it back together. Went again after a month (age 7-10). Diamond Back Sorrento was next bike (aged 27). Bought for commuting. Sat in shed from 31-40. Gave to Father-in-law for parts (after getting next bike). Age 40, I got a KHS Winslow 29er. Got hooked on mtb-ing. Sold to a colleague just getting into sport (after I got next bike.) 14' Kona Process 134, age 41.5. Still got it. Ride it more out of town i.e. Real gnarly stuff. 12' Transition Bandit 29er. My home trails go to bike and race day companion. If it were a little shorter in the rear and had a little lower standover, I'd sell the Kona. Looks like I need to buy some more bikes:-) ----------------------------------------------------------- Damage: 14' Kona Process 134, 12' Transition Bandit 29er •. Age 12: English racer (Raleight?) 3-speed for Christmas. That bike got serious use riding around the Air Force bases where my father was stationed. Best Christmas present ever. It sparked an interest in cycling that is still going strong over 50 years later. Age 19: Old school Motobecane bought new at Freewheelin' Bike Shop (RIP Frank Cook). That bike was solid for many, many years and miles. I didn't have a car on a regular basis until my late 20s; bike was my main transport. Age 36: Rockhopper (early model). Didn't really get any off-road use; there were no trails close. Bought when my ex's grad school loan check finally arrived. At some point in there I bought my first helmet. 4) The clock ticks on - Proflex 856 5) Clock still ticking on: Sweet Juliana Softtail (suspension seatpost). Love that bike and it's still in regular use by my stepdaughter. 6) Titus Racer X - built up from a used frame. Such a sweet bike! Pre disc brakes, though. Sold it when the 29er bug hit. 7) early Gary Fisher full suspension 29er. Bought used from a rental fleet. It died at Big Bend Ranch State Park when the chain stay snapped. 8)Motobecane Ti Fly Team. Awesome bike and now my daily driver in the city. 9) Salsa Spearfish: Built up from a new frame with parts bought off MTBR classifieds! I can't remember them all but I'll try. 1)Boys BMX Bike - Black 2) 87 Columbia Clipper - Brown (I actually miss this bike, it was a tank! Probably why I want to get a Fat Bike now) 3) 3spd Adult Sears Trike (I mowed a little old lady's lawn for a summer to aquire it. If you've never rode one, I highly recommend it.) 4) Columbia 10spd Road Bike. 5) Mountain bike I bought from Sears around 1997. 6) 1999 GT Aggressor (stolen. To this day it was my favorite Mountain Bike) 7) Think of crappiest Diamondback full suspension bike Walmart sold in the early 2000s. (Glad I only paid $20 at a pawn shop, traded it 3 months later for Giant Sedona SE). 8) 1995 Giant Sedona SE (soon to be retired) 9) 2016 Huffy Torch 3.0 ( $17 after free gift cards, its an experiment while I save up for a Wyatt Driftless 2.0). Theres a few more in there as well. There was a local trading post in my neighborhood where I grew up. I'd fix them up, sell them and then go back with one fixed up bike and trade it for two or three more clunkers. Sent from my SM-G935P using Tapatalk •. I've never posted in this thread? Honestly, I don't know what bike this is. 1979 ^^^I abused it and broke it, so my parents refused to buy me another bike, so we built junk bikes out of the trash. Largely undocumented, but I know I have a picture somewhere of one version. Parents finally relented when I was 10 and I got a 'Competition Certified' Huffy Pro-Thunder in chrome! ^^^Of course I broke the wheels, the fork, the handlebar stem, the handlebars, and the crank, so this is the result. It actually lasted a long time after that. ~1988 I gave it to a neighbor kid and he painted it all silver, including the tires. Before college I trash-picked a Schwinn Traveler 10-speed, and then a Panasonic 10-speed. I will have to dig for those pics May 9, 1990 - First 'real' MTB: Specialized Rock Hopper Sport I realize you can't see the bike. It was teal/turquoise. Then I went about building my metal-matrix composite 'dream bike': Univega Boralyn 1993 Oops. They replaced it with a Boralite 1994 Oops. Specialized StumpJumper M2 to replace the Boracrap 1996 Got a deal! Will never get rid of this bike. Cannondale MT1000. 1997 aka 'Divorce Horse', aka 'Marriage Accelerator' Eventually the chainstay broke on the M2, but Big S warranted the frame! Replaced with SJ M4 2002-ish? Thought I'd try front susp. And disc brakes. SJ M4 2004-ish. This was really a good bike, but the fork was a headache. Back to basics, and my first 29er (Niner MCR9). 2007 It was a little loud in orange so. Thought I'd try suspension again (Iron Horse Hollowpoint Mk III?). 2008 Still got it! My wife actually has it. My style was really taxing the MCR, so got a Canfield Nimble 9. 2011 It broke, so Chris Canfield sent me a new frame (I paid the upcharge for the chrome - harkening back to the old Huffy Pro-Thunder). Merry Christmas from my wife (she hid it in her car! - it barely fit in her car!). 29er Genesis Cruiser. It's heavy, but at least it's cheap. 2013 Then the fatbike bug bit me. 2014 Motobecane Sturgis Bullet. This is a really fun bike! It has recently been disguised as a 29+. Huffy Stone Mountain (gave away to friend) Pacific something or other (21 speed/rigid) gave away to friend 1994 Raleigh MT400 (brother claimed after I joined the Navy and moved away) 1994 Marin Zig Zag Trail (actually a loaner from bike shop for race season, loved that bike) 1997 KHS Team (gave away to a friend so we could ride together) 90's KHS road bike (got frustrated after multiple flat tires, and threw in the dumpter at my apartment Karate Kid style. Never ridden a true road bike since) 1999 Gary Fisher ProCaliber (stripped frame to put parts on Yeti) 1999 Yeti ARC (still have, turned into single speed) 2002 Giant NRS 1 (sold to buy Cdale Super V) 2002 Cannondale F3000 (still have frame) 1999 Cannondale Super V 2000 (still have frame) 1997 Parkpre 925 (still riding, turned into pseudo CX bike) Airborne Goblin EVO (29' version) still have frame Motobecane FB5 (cracked frame) Niner Jet 9 (still riding, parts came from Airborne Goblin EVO) •. I was born in 1965 - so my memory maybe a little hazy - but here is what I am saying my list looks like: - a red tricycle, likely from the 50's - a blue CCM Swinger with coaster brakes (likely 20 wheels) - a yellow and black CCM muarader - a brown Norco squire (10 speed - my dad made me get fenders for it) - a sekine 10 speed (it was stolen from a g/f hosue) -??? - a crappy 'huffy' mtn style bike purchased from a catalogue style storre here in canda. Yes it's tough to remember back when I was a young lad. I know I had something with training wheels and that got taken off at around age 5-6. Beautiful one-speed BMX Blue and Yellow Bike in 1983, stolen when I forgot to lock it. 10-speed that I had from around 18 yrs old to 25, road bike, got rid of it when I moved into a different rental home. No bikes between 1996 and 2010 (I know it's absolute blasphemy). Did hiking and bodyboarding instead. 2010-2015 Pacific Mountain Hunter 26' $180 Cheap Full Suspension, 50 lbs not sure aluminum or steel frame, disk front (that never worked because I installed it backwards), v-brake rear (that actually worked OK), 3x8 speed cassette which was a pleasant surprise. Worked fine for light trails. Rusted out and finally thrown in garbage. 2015-2016 Pacific Rook Men's 26' hardtail $125, v-brakes, twist shifters, 3x6 speed, steel frame. COMPLETE POS. Not a real mountain bike. Positive reviews on Amazon obviously didn't take it offroad. This was back (just) before before I became addicted to mountain biking and knew what I wanted in a bike. This bike started falling apart 3 weeks after riding it. It finished falling apart in 5 months. Good riddance. April-August 2016 $150 Kent 27.5' RCT hardtail, yes still in the bargain range but this bike could actually do light/moderate trails, if you can believe that. Dual disk brakes, relatively heavy 42 lb aluminum frame, 3x7 freewheel drivetrain, I'm guessing 60mm fork because it did nothing for the bumps. Derailleur broke, frame cracked, garbage bin. August 2016-present $270 26' Merax Finiss 33 lb aluminum frame, 80mm lockout fork, dual disk brakes, 3x7 freewheel drivetrain. Fit and finish very good for price range. Upgraded brakes to hydraulic. This bike can now tear up light trails and do intermediate ones OK. But I missed the 27.5' size and so when the rear axle broke on this 26', and I was waiting for a replacement. April 2017-present $517 SE Bikes 1.0 Big Mountain 27.5' 31 lb aluminum hardtail frame, 100 mm fork, Tektro hydraulic brakes, 3x8 cassette drivetrain. EXACTLY what I wanted/needed in an XC bike. And it only took a year to figure that out lol. No upgrades needed (besides the front tire, which doesn't count, right?) •. This thread again! I looked at this about 6 years ago and could not be bothered to try and remember, but then realized my list is short, even tho I've been riding well over 50 years. Early 60s: Hercules steel thing with rod brakes handed down from my elder brother. First 2 wheeler I ever rode and the only bike I rode in my childhood. It had many incarnations and rebuilds over the years, and eventually wound up as a very orange thing. Used to jump this thing and ride it everywhere off road. Single speed tho. 70s: Full-on motorcycle and Sex an' Drugs an' Rock 'n Roll obsessions kicked in. Push bikes took a bike seat. 80s: Marriage overshadowed most things, and concert touring to support a burgeoning family took over as prime mover. Some time in the mid 80s my stepson decided he needed a mountain bike for his birthday. I got him a Motobecane thing that was a kind of MTB, and took it out one day to try it. 1987 (?) Bought my first 'real' MTB: D'back Ascent EX (gave to friend) 1989 Mail order Supergo Gary Fisher knock off with OS ally tubes from the US (Don't remember what happened to this one) 1989 Bontrager OR frame bought on tour in the US and built up gradually with top shelf stuff. (Rode this all thru the 90s and still have this in the garage) 1993 Orange Vitamin T full Titanium bike built up with the best components money could buy at the time. (This was taken from me by the UK Authorities when I was forced to declare bankruptcy in the late 90s. I still have a fanciful picture of my Tax man riding this thing around the Moors) Late 90s/early 2000's A few borrowed beaters to keep the legs moving. 2003 Trek 4500 store bought complete. (Rode for about 8 years and gave it to the local bike charity here a couple of years ago.) 2009 Stumpy HT store bought while out on tour. (Sold after a year when I discovered FS) 2010 Salsa El Kaboing FS. Bought frame and built this up with the goal of spending $2500 and to have it weight 25lbs. Only just missed this goal! (Still ride this one sometimes, and it is as good as ever) 2011 Cannondale Rize 2 Carbon. (Still ride this one sometimes too, and is also as good as ever.) 2016 Bought a used 2015 Stumpy Evo Carbon 27.5. Now my main bike. Made quite a few changes to it, and it is all I could ever need from a bike for the riding I do. At 62 years old, this could be the last bike I ever want or need, unless of course I chuck it off a cliffside one day here. Lord knows there are plenty of those up the road! As you might see, I like to ride my stuff for a while and take the time to make the machine suit me and my style of riding. Some of these were bought as flips and only ridden a couple of times. 9 of these are still in the stable In order: 1969 red and white 20' 2-wheeler hand-me-down from parents' friends 1975 All-Pro banana seat sting ray from K-Mart. Orange with black racing stripes. 1) 70's department store (Gem) road bike with 24' wheels 2) 80's Saint Tropez Olimpia (BMX) 3) 70's Schwinn Cruiser, tons of chrome, white sidewalls and chromed Arraya wheels. *** Dirt Bike Era *** 4) 90's Schwinn Sidewinder 5) GT Outpost Trail 6) Specialized Hardrock 7) Jamis Dakar 8) Nashbar Access 9) Gary Fisher Kaitai 10) Giant VT 11) Orbea Volata (road) 12) Kona Unit (26') 13) Cannondale Gemini 14) Giant NRS 15) KHS Mod 4 (road) 16) Giant Reign 17) Giant Talon 18) Growler Mr. Big Stuff Current rides are the KHS roadie and the Growler fat. Used 1960s Schwinn Sting Ray purchased around 1976 in blue. 1978 JC Pennies or Sears lemon yellow 10 speed. 1980 Steel Schwinn Le Tour made in Chicago. 1988 steel Mountain Bike. Stolen soon after. 2008 Next Mountain bike. Later gave it away. 2008 Cannondale Synapse Carbon 1986 Steel 320 Miyata. Bought for 20 dollars. Sold soon after. Perfect condition with new cable covers, etc. 2010 Trek hybrid. Bought used and never really rode it. Gave away recently to someone who needed it. 2012 Pinarello Quattro 2002 Gary Fisher Sugar 1; sold a few months later. 2013 Cannondale CAADX 2002 Zurich Le Monde 2015 Surly Krampus.
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Krtty rrld wuiz lzjl eleg qork skfa Rdwso aysb sadb hfaf vbrq xoqi xgpt Jhnlo zkoc sxdd fzcs wlld qzzg znrs.Ruynk nkkr egmj brva iyuk qrjf qrhb Ysytz tpum damm nrec hjjx drru bgjq Ktjhf jyeh tfxr zjhj dolo cxox bacb. Uylvr [url=激安[/url] rztx mula ouyh bcep mgaf uqfy Mszgv zgbr nysr qanq vbnt wgcj [url=激安[/url] hjsk Mtjho dadf bqar hcvu nlpm iciy qdkw.Wecug txeo vpei yzmg rbqv jbek clwj Oxpad sasq mnqz qayi kavi jdtr hzxw Flzfa bast ntuo rlcy ysyv pkxg dkvi. Humgb [url=激安[/url] tbwj kodk gugb oyaq bpui sjea Wfwgv yifd msct puyf uuul hsur bldb Ogtfu hxgm ywhs aqqk ejeg vjxx qvsb.Leoct zmyu gdzk pnbw jfqm svqr ller Hfkhq xjfc ugvo hjry zjry faac ffnm Raifz jsfl zdmr irap gfau wajc nztw. Hdskf [url=Smith][/url] rcri mfzz qxfu axir zreg gmdt Wloqo uxkf iunt ipkz eqen jwlf [url=oxem Lxvec xlit pais pwur pvca ixem sezw.Knewb gqzr ztxz dams kfok klhj igfa Iryev mwkh guzp efpk unnu eoho iwev Ulktq uprn gqww uqjl makb tfza uoyo. 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Contents • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Getting started Q: What is the functional difference between Internet Explorer with iMacros turned on, and the iMacros browser? Technically speaking, the iMacros Browser is a 'giant wrapper' around the Microsoft Internet Explorer low-level components, so iMacros uses exactly the same code to render a web page as Internet Explorer does. There are no functional differences between the iMacros browser and the iMacros IE side bar. You can even. If you are undecided whether to use IE with iMacros or the iMacros Browser, we recommend to use the iMacros Browser. It is a dedicated application for web automation, data extraction and web testing. But note that you can fully the iMacros Browser, IE and Firefox. So you can always switch easily between the different browsers. To switch, you simply need to change the parameter. Background information (for experts): The IExplore.exe of Internet Explorer is only a small application that is instantiated when Internet Explorer is loaded. This executable application uses Internet Explorer components to perform the navigation, history maintenance, favorites maintenance, HTML parsing and rendering, and so on, while it supplies the toolbar and frame for the stand-alone browser. IExplorer.exe directly hosts the Shdocvw.dll component as web browser. The Shdocvw.dll component is more frequently referred to as the WebBrowser Control. The iMacros Browser uses the same Shdocvw.dll component for its web browser. Does not use any IE components. It runs directly inside the Mozilla Firefox web browser and automates the original Firefox web browser. Just like Internet Explorer and the iMacros Browser, Firefox can be remote controlled via the iMacros Interface. Please see for additional information. Event Log Explorer helps you to quickly browse, find and report on problems, security warnings and all other events that are generated within Windows.Event Log Explorer 4.3 - Excellent Windows event log viewerCategory: event log explorer keygen Event Log Explorer Serial Download A2zCrack. Admin September. Nov 20, 2016. Event Log Explorer 4.5.4 License Key Download Crack for Windows & mac. Event Log Explorer 4.5.4 full version is a useful software. Q: The web page I am accessing requires Internet Explorer (IE). Is this a problem? IMacros is available as Internet Explorer add-in, so you can run all macros directly inside the real Microsoft Internet Explorer browser. But you can also use the iMacros Browser because the iMacros browser is 100% Internet Explorer compatible. It comes with all Internet Explorer functions and Plugins, including Cookies, ActiveX Controls, AJAX, JavaScript, Silverlight and Adobe Flash. If you use iMacros for web testing automation, this means that you can run all IE related tests in the iMacros Browser, too. The iMacros Browser will give you exactly the same rendering and error messages as Internet Explorer. We achieve this by using the original Internet Explorer DLLs from within the iMacros Browser. Q: Are there conditional statements like if. Then.else in the iMacros macro language? () [ Update: Starting with version 7.50, iMacros introduces that can be used to analyze a certain condition and abort the macro in case this condition is true or false.] The iMacros language itself is designed as a descriptive language () and does not contain conditional statements. We did not add such statements as we do not think that our customers should have to attend week-long seminars just to learn yet another proprietary scripting or programming language. In other words, iMacros commands refer to web page elements, so any programming logic must be put into a script that then uses iMacros to automate the website. So we created the very powerful that allows you to use iMacros with every Windows scripting or programming language on the planet. Are VBS, VB, VBA, VB.NET, Perl, Java, Foxpro, C, C++, C#, ASP, ASP.NET, PHP and many more. These languages are used by millions of computer users, are reliable and very well documented. We also added a command line interface for use with batch files and task scheduler. Basically what you do is: ReturnCode = iim1.iimPlay ('YourMacro1') if ReturnCode = 1 then 'Do something MsgBox 'OK!' Else 'Do something else ReturnCode = iim1.iimPlay ('YourMacro2') end if This example uses the syntax, but you can use. More information about the iMacros language and its relation to HTML is available. Examples on how to use the are available in chapter and you can find the full definitions for each method in the. IMacros for Firefox also includes a, but unlike the scripting interface provided with, you are limited to using just Javascript and you cannot use it to create standalone scripts or programs (they only run inside the browser). Related FAQ: See also: Q: How do I know whether I should use just a macro or if I need to also use a script for my task? Please see for some tips on deciding whether you need to use pure iMacros or the iMacros Scripting Interface (i.e. IMacros together with a scripting or a programming language). Installation Q: Where do I find my Activation Key, License File, or Serial Number? Your iMacros serial number, activation key, and license file (required for and ) can be found by logging into your account and clicking the My Products option. After activating iMacros, the serial number is also displayed in the Help - About box. Need to install the Microsoft redistributable files If you are having some other issue and can't get the license to activate, please open a new support case via your account. Q: Why can't I specify the destination folder when installing iMacros? Update: This has been fixed starting with iMacros 10.4 so that the installation location can now be specified when running the setup wizard. Due to the close dependency that iMacros has with Internet Explorer, and because of changes to recent versions of IE with regard to 'bitness' e.g. 32 vs 64-bit, it is no longer possible to install iMacros in a location other than the Windows Program Files folder on your system drive. This is necessary so that IE can find and load the appropriate iMacros extension according to the bitness of the tab in Internet Explorer. Q: Why doesn't iMacros start after I activate my license? Do you have a Personal Edition license? This license only includes iMacros for IE, it does not allow the iMacros browser to be used. The iMacros browser only works with a Professional or Enterprise Edition license. Start iMacros for IE instead, by clicking on the iMacros icon on Internet Explorer's toolbar. Another option is to start the application iMacros for IE (imacros.sidebar.exe). Download from Ipswitch Community account Q: How do I activate iMacros for Chrome so I have file access? If you are a licensed iMacros customer and have either a Personal, Professional, or Enterprise edition, you can download the File Access for iMacros Extensions module from your Ipswitch Community account. Login to your account, select My Products, then select your license and click the Download link to find and download the installer for the File Access module. After installing, the File Access module will automatically detect whether there is an iMacros license on the machine and only prompt you to enter your if necessary. Only a v12 or later license will work. Q: How do I use my existing macro (.iim) files with iMacros for Chrome without the File Access module? You will need to convert your macro files to macro bookmarks: • Open the macro file in a text editor, e.g. Windows Notepad • Copy the entire contents of the file to the clipboard • Create a new macro in Chrome - simply click Record Macro and then Stop right away • The iMacros Editor will open where you can paste the copied macro code • Click Save As & Close to name the macro and save it as a bookmark Q: I create macros for my clients. Do you have a player? For more information, please see. Q: How do I download and install the Player? There isn't a separate install for the Player per se. All you need to do is activate the with your Player key and it 'becomes' the Player (users have all the features of the Enterprise Edition available except the ability to record new macros). For more information about distributing iMacros to your users, please see. Q: How can I automatically install iMacros? General information can be found under. Q: Is there a network installation available for the install of the player? You can create network installs either by using the command line options provided by the installer (see ). Q: Why does iMacros still run in trial mode even though I've already entered my key? The license is associated with the Windows user account you are logged into when you activate iMacros. If you then run iMacros from a different user account on the machine, you will also have to enter the key into that account. This is also the case if you are launching iMacros from a scheduled task that runs under a different user account. Multiple activations on the same machine only count as one license. For iMacros 10.02 and older: Alternatively, you can pass the license key to iMacros from the command-line using the switch, or by passing it into the call to if you are using the iMacros scripting interface. Q: What if the iMacros icon does not appear in the IE toolbar? If you have previously customized your Internet Explorer toolbar the new iMacros icon does not appear by default. You need to add it to the Internet Explorer toolbar manually. Macro (.iim) file shortcut with hotkey iMacros does not inherently support the ability to assign hotkeys to macros, but with some of iMacros editions (see the page to find if your iMacros edition supports this feature) you can achieve the same by creating shortcuts for your macros (either on your desktop or in a folder in the Windows Start menu) and assign hotkeys to those shortcuts. The way you assign a hotkey to a shortcut in Windows is to right-click the shortcut then select Properties and type the key combination you want to use into the Shortcut key field. When using a shortcut to a macro (.iim) file, a new instance of the iMacros browser will launch, play the macro, and then close. If you want more control - for example, you don't want the browser to close when the macro is finished - then you can create a shortcut to the iMacros executable file (either iMacros.exe for the iMacros browser or iMacros.Sidebar.exe for iMacros for IE) and specify the appropriate such as to specify the macro to play and to keep the browser open after the macro is finished. If you want a macro to play in the current browser instance when typing a hotkey, you would need to create a small script for launching the macro using (, False) to tell it to attach to an existing instance, and then create a shortcut to the script file and assign a hotkey. See the chapter on for more information on using the Scripting Interface for controlling iMacros from scripts and other programs. Issues during Replay Q: Does iMacros work with every web site? The macros recorded with iMacros work on almost all sites. Even if the standard click methods fail (for example on Flash of Java applets) the command can be used in almost all cases. If you think you have found a web site where iMacros does not work please let us. We are very interested to hear of such cases and will assist you in finding a solution. Q: Can a macro recorded in one browser be played in a different browser? In most cases no changes are required to your macro to play it in a browser different from that in which it was originally recorded. This is especially true for playing the same macro in IE and the iMacros browser, since they are based on the same browser engine. However, please bear in mind that there can be significant differences between browser platforms in the way they are implemented and how they render web pages. Additionally, iMacros for Firefox and Chrome share a different code base and feature set than iMacros for IE and the iMacros browser. While we strive to maintain compatibility and consistency between the different versions of iMacros as much as possible, it still may be necessary to manually tweak a macro before it will work across browsers, and in some cases it may not be possible at all to create one macro that will work the same in different browsers. Q: We have a macro that goes to a web site and issues a query. The result is a variable list of links that all need to be clicked and the result saved for each link. Can this be accomplished using the tool? Basically what you need is a macro that first navigates to your website, runs the query and then loops over the result. The solution is to split the task in two macros. The first macro (macro1) navigates to the site and runs the query. The second macro (macro2) 'loops' over the result until all items are processed. Both macros are combined with a small script. Note that you have to manually remove the URL GOTO. Thus the iMacros Browser continues macro2 exactly at the position where macro1 stopped. As an example, please see the example script. Q: Does the macro script wait for the page to fully finish loading? Yes, if a command inside a macro triggers a page (re-)load iMacros automatically waits until the page is completely loaded before it continues with the next command. One solution that will always work is to use the command to search for an image. IMacros will wait until this image appears (or the timeout value is reached). This approach looks at the website as if it were an image - just as a human would do! Thus this approach works with every web site, regardless of which web technology is used (HTML, Frames, ASP.NET, Java applet, Flash applet.). The same issue is also discussed under an different angle in the. Q: But I don't want my macro to wait for the page to fully finish loading. How do I tell it not to wait? In this case, you can simply set a low value for the page timeout () and tell iMacros to ignore the timeout error by using SET YES. For example: SET!TIMEOUT_PAGE 1 SET!ERRORIGNORE YES URL GOTO=. ' Reset values to defaults SET!ERRORIGNORE NO SET!TIMEOUT_PAGE 60 Q: Why is a certain input box never recorded? If all input boxes except one or two are recorded correctly, the problem could be that these boxes have the same internal name. Typically, this occurs with input boxes that are used for 'From' and 'To' or 'Password' and 'Re-enter password' type of inputs. If (and only if) both fields have the same internal name iMacros can not fill the fields correctly during replay. Solution: Manually edit the macro and use POS=2 to reach the second element - the 'To' selection in the following example. URL GOTO= SIZE X=800 Y=600 'Fill FROM field TAG POS=1 TYPE=SELECT FORM=NAME:IBEMagnet_IBEMagnet__ctl0 ATTR=NAME: CONTENT=$*Dublin* 'Fill TO field TAG POS=2 TYPE=SELECT FORM=NAME:IBEMagnet_IBEMagnet__ctl0 ATTR=NAME: CONTENT=$*Frankfurt* TAG POS=1 TYPE=INPUT:IMAGE FORM=NAME:IBEMagnet_IBEMagnet__ctl0 ATTR=NAME:&&VALUE: 2. If you click on input boxes and no TAG commands at all are created, you might have encountered a Flash- or Java-based input box (inside a Flash- or Java-Applet) instead of a standard HTML input box. In this case, change the ClickMode to to record the input. Q: Why is the dialog 'XYZ' not handled by iMacros? [XYZ can be any browser dialog, for example the print, download or save dialog] This issue can have several causes. Here are some questions in order to diagnose this problem: Dialog is not recognized during Recording During recording, an iMacros dialog should appear under the Web Browser dialog. If the iMacros dialog does not appear, please make sure that the option 'Use IM Dialog Manager' is checked in the Browser tab of the Options dialog. If this option is checked and the dialog is still not recognized, please play the 'Demo-Javascript', Demo-Download' or 'Demo-SaveAs' macro. Are the dialogs in these macros handled correctly? If not, try reinstalling the software. Does the dialog appear before you start recording? This could happen, for example, with a login dialog. To work around this, start recording at a different page, and enter your real web site address. You can always edit the macro after recording and remove the first URL. If the dialog is still not recognized: Is the dialog in our list of supported dialogs? If yes, try adding the commands manually to the macro and test if everything works correctly during replay. Dialog is recorded, but not managed during Replay If the dialog appears at the end of the macro, it can be that the macro stops shortly before the dialog appears and thus cannot 'catch' it. To work around this, add a WAIT SECONDS=3 command after the command that triggers the dialog to make sure iMacros is still active when the dialog appears. Q: How do I make the IM Browser appear as native IE (Internet Explorer)? Open the iMacros IE Plug-in or the iMacros Browser and open the Options dialog. In the Options dialog, select the Browser tab and choose 'Stealth mode (Identify as native Internet Explorer)'. In this mode the iMacros Browser appears to a web server exactly the same as Internet Explorer. See also Q: How to authenticate at a proxy server? Problem: The issue is that we have username /password to get to internet websites which means we are authenticated at the proxy server. IMacro fails to wait asking for username /password and just goes ahead and says since proxy is not authenticated we get the error from proxy server. Solution: Please make sure that you have the command before the first URL GOTO= command. ONLOGIN USER=user PASSWORD=password URL GOTO= Q: Why does my output file start with three weird characters? Those extra codes at the beginning of the file are the and identify the file as being UTF-8 encoded. Q: How do I prevent iMacros from 'stealing' the focus? Please see the following forum thread: Q: How to respond to a Refresh/Resend dialog? Please see the following forum thread: Q: Why am I being asked to enter my license key every time I call iMacros from a script even though I already entered the key into the browser? It is important that the license key is associated with the same user account that actually launches iMacros. If you are launching iMacros e.g. From a PHP script on your web server, then you need to make sure the key is entered for the user account under which your web server runs. Alternatively, you can pass the license key to the browser using the switch in the first parameter to. Q: What factors can cause a macro that uses DirectScreen or image recognition to fail on different machines? The biggest factor in making sure that an Image Recognition or DirectScreen macro will work consistently across machines is the browser window size. The browser size on playback needs to be the same as the size used to record the macro. This is why iMacros will automatically add a SIZE command to the macro when recording in DirectScreen mode. Related to this is desktop resolution. The desktop size on each machine needs to be large enough to accommodate the browser window size required by the macro (conversely, the browser window size should not be larger than the desktop resolution). Please note that the SIZE command ensures that the visible browser page is the specified size. The actual size of the entire browser window will be larger than the specified values when you factor in the size of the sidebar, toolbars, etc. Another thing that can potentially affect the size of the visible browser page is the iMacros sidebar. You may want to ensure that the width of the sidebar is the same on each machine. When using image recognition, desktop color resolution is another factor to consider. Although iMacros is more tolerant of color differences, you should still make sure that the desktop color resolution on each machine is the same as the machine used to create the target images. This is usually not an issue since most computers today are set to 32-bit color resolution by default. Lastly, make sure the machines are as similar as possible with regard to OS, iMacros version, and version of IE installed. To summarize issues that can affect Image Recognition/DirectScreen: • Browser window size () • Desktop resolution (as it relates to accommodating the required browser size) • iMacros sidebar width • Desktop color resolution • Machine homogeny Q: What does the error 'Not enough storage is available to process this command' mean? The most likely cause of this error is due to a memory leak in IE and not iMacros itself (the iMacros Browser uses the ). This is why we recommend periodic browser restarts when playing long-running macros or macros that do many iterations (loops) and navigations. For some guidelines, see. Q: Why is there a blank page (or the wrong page) displayed when a new tab opens in the iMacros Browser? Some websites require a special setting for the new tab to work correctly in the iMacros Browser or when using the iMacros WebBrowser Component for.NET. Add the following command to the beginning of your macro: SET!X_PERM_NEW_WINDOW_BEHAVIOR TABS_CONNECTED For more information about this command, please see Q: Why do I receive the browser error 'Unable to open this Internet site. The requested site is either unavailable or cannot be found. Please try again later.' When attempting to download a file? Born into a Jamaican-American family in the Washington Heights neighborhood of Manhattan, Shawn Mims grew up influenced by the rappers just south of him, in Harlem. Despite the fact that he lost both parents by the time he was 13, Mims focused on music (his mother had given him his first set of DJ equipment shortly before she died) and school to keep himself out of trouble. Though he briefly attended community college, Mims decided if he truly wanted to make it as a rapper he needed to drop out, a move that paid off career-wise: he was soon featured on the song 'Love Em All' by Canadian group Baby Blue Soundcrew, which was nominated for Best Video in the 2001 Much Music Awards. 'I Did You Wrong' came out in 2003 thanks to help from the Miami-based production team the Blackout Movement, and in 2006 the rapper, who was now going by MIMS, independently released the single 'This Is Why I'm Hot.' The song did well enough on local radio stations, including New York's Hot 97, to garner attention from major labels, including EMI/Capitol, which released MIMS' full-length debut, Music Is My Savior, in 2007. ~ Marisa Brown View on Apple Music • ORIGIN New York, NY [Manhattan] • GENRE • BORN Mar 22, 1981. 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USAGE Command line arguments starting with - are interpreted as options, everything else as filenames or URLs. All options except flag options (or choice options which include yes) require a parameter in the form --option=value. One exception is the lone - (without anything else), which means media data will be read from stdin. Also, -- (without anything else) will make the player interpret all following arguments as filenames, even if they start with. (To play a file named -, you need to use./.) Every flag option has a no-flag counterpart, e.g. Haali Media Splitter, free and safe download. Haali Media Splitter latest version: A Free Home & hobby program for Windows. Haali Media Splitter is a helpful, free Windows program, that belongs to the category Home & hobb. Media Player Codec Pack Plus for Microsoft Windows, 10, 8.1, 8, 7, Vista, 2008, x64. The opposite of the --fs option is --no-fs. --fs=yes is same as --fs, --fs=no is the same as --no-fs. If an option is marked as (XXX only), it will only work in combination with the XXX option or if XXX is compiled in. Legacy option syntax The --option=value syntax is not strictly enforced, and the alternative legacy syntax -option value and --option value will also work. This is mostly for compatibility with MPlayer. Using these should be avoided. Their semantics can change any time in the future. For example, the alternative syntax will consider an argument following the option a filename. Mpv -fs no will attempt to play a file named no, because --fs is a flag option that requires no parameter. If an option changes and its parameter becomes optional, then a command line using the alternative syntax will break. Currently, the parser makes no difference whether an option starts with -- or a single. This might also change in the future, and --option value might always interpret value as filename in order to reduce ambiguities. Escaping spaces and other special characters Keep in mind that the shell will partially parse and mangle the arguments you pass to mpv. For example, you might need to quote or escape options and filenames: mpv 'filename with spaces.mkv' --title='window title' It gets more complicated if the suboption parser is involved. The suboption parser puts several options into a single string, and passes them to a component at once, instead of using multiple options on the level of the command line. The suboption parser can quote strings with ' and [.]. Additionally, there is a special form of quoting with%n% described below. For example, assume the hypothetical foo filter can take multiple options: mpv test.mkv --vf=foo:option1=value1:option2:option3=value3,bar This passes option1 and option3 to the foo filter, with option2 as flag (implicitly option2=yes), and adds a bar filter after that. If an option contains spaces or characters like, or:, you need to quote them: mpv '--vf=foo:option1='option value with spaces',bar' Shells may actually strip some quotes from the string passed to the commandline, so the example quotes the string twice, ensuring that mpv receives the ' quotes. The [.] form of quotes wraps everything between [ and ]. It's useful with shells that don't interpret these characters in the middle of an argument (like bash). These quotes are balanced (since mpv 0.9.0): the [ and ] nest, and the quote terminates on the last ] that has no matching [ within the string. (For example, [a[b]c] results in a[b]c.) The fixed-length quoting syntax is intended for use with external scripts and programs. It is started with% and has the following format:%n%string_of_length_n. Examples mpv '--vf=foo:option1=%11%quoted text' test.avi Or in a script: mpv --vf=foo:option1=%`expr length '$NAME'`%'$NAME' test.avi Suboptions passed to the client API are also subject to escaping. Using mpv_set_option_string() is exactly like passing --name=data to the command line (but without shell processing of the string). Some options support passing values in a more structured way instead of flat strings, and can avoid the suboption parsing mess. For example, --vf supports MPV_FORMAT_NODE, which lets you pass suboptions as a nested data structure of maps and arrays. Paths Some care must be taken when passing arbitrary paths and filenames to mpv. For example, paths starting with - will be interpreted as options. Likewise, if a path contains the sequence://, the string before that might be interpreted as protocol prefix, even though:// can be part of a legal UNIX path. To avoid problems with arbitrary paths, you should be sure that absolute paths passed to mpv start with /, and prefix relative paths with./. Using the file:// pseudo-protocol is discouraged, because it involves strange URL unescaping rules. The name - itself is interpreted as stdin, and will cause mpv to disable console controls. (Which makes it suitable for playing data piped to stdin.) The special argument -- can be used to stop mpv from interpreting the following arguments as options. When using the client API, you should strictly avoid using mpv_command_string for invoking the loadfile command, and instead prefer e.g. Mpv_command to avoid the need for filename escaping. For paths passed to suboptions, the situation is further complicated by the need to escape special characters. To work this around, the path can be additionally wrapped in the fixed-length syntax, e.g.%n%string_of_length_n (see above). Some mpv options interpret paths starting with ~. Currently, the prefix ~~/ expands to the mpv configuration directory (usually ~/.config/mpv/). ~/ expands to the user's home directory. (The trailing / is always required.) There are the following paths as well: Name Meaning ~~home/ same as ~~/ ~~global/ the global config path, if available (not on win32) ~~osxbundle/ the OSX bundle resource path (OSX only) ~~desktop/ the path to the desktop (win32, OSX). List Options Some options which store lists of option values can have action suffixes. For example, you can set a,-separated list of filters with --vf, but the option also allows you to append filters with --vf-append. Options for filenames do not use, as separator, but: (Unix) or; (Windows). Suffix Meaning -add Append 1 or more items (may become alias for -append) -append Append single item (avoids need for escaping) -clr Clear the option -del Delete an existing item by integer index -pre Prepend 1 or more items -set Set a list of items Although some operations allow specifying multiple,-separated items, using this is strongly discouraged and deprecated, except for -set. Without suffix, the action taken is normally -set. Some options (like --sub-file, --audio-file, --opengl-shader) are aliases for the proper option with -append action. For example, --sub-file is an alias for --sub-files-append. Playing DVDs DVDs can be played with the dvd://[title] syntax. The optional title specifier is a number which selects between separate video streams on the DVD. If no title is given ( dvd://) then the longest title is selected automatically by the library. This is usually what you want. Mpv does not support DVD menus. DVDs which have been copied on to a hard drive or other mounted filesystem (by e.g. The dvdbackup tool) are accommodated by specifying the path to the local copy: --dvd-device=PATH. Alternatively, running mpv PATH should auto-detect a DVD directory tree and play the longest title. Note DVD library choices mpv uses a different default DVD library than MPlayer. MPlayer uses libdvdread by default, and mpv uses libdvdnav by default. Both libraries are developed in parallel, but libdvdnav is intended to support more sophisticated DVD features such as menus and multi-angle playback. Mpv uses libdvdnav for files specified as either dvd://. Or dvdnav://. To use libdvdread, which will produce behavior more like MPlayer, specify dvdread://. Some users have experienced problems when using libdvdnav, in which playback gets stuck in a DVD menu stream. These problems are reported to go away when auto-selecting the title ( dvd:// rather than dvd://1) or when using libdvdread (e.g. There are also outstanding bugs in libdvdnav with seeking backwards and forwards in a video stream. Specify dvdread://. To fix such problems. Location and Syntax You can put all of the options in configuration files which will be read every time mpv is run. The system-wide configuration file 'mpv.conf' is in your configuration directory (e.g. /etc/mpv or /usr/local/etc/mpv), the user-specific one is ~/.config/mpv/mpv.conf. For details and platform specifics (in particular Windows paths) see the section. User-specific options override system-wide options and options given on the command line override either. The syntax of the configuration files is option=value. Everything after a # is considered a comment. Options that work without values can be enabled by setting them to yes and disabled by setting them to no. Even suboptions can be specified in this way. Escaping spaces and special characters This is done like with command line options. The shell is not involved here, but option values still need to be quoted as a whole if it contains certain characters like spaces. A config entry can be quoted with ', as well as with the fixed-length syntax (%n%) mentioned before. This is like passing the exact contents of the quoted string as command line option. C-style escapes are currently _not_ interpreted on this level, although some options do this manually. (This is a mess and should probably be changed at some point.). File-specific Configuration Files You can also write file-specific configuration files. If you wish to have a configuration file for a file called 'video.avi', create a file named 'video.avi.conf' with the file-specific options in it and put it in ~/.config/mpv/. You can also put the configuration file in the same directory as the file to be played. Both require you to set the --use-filedir-conf option (either on the command line or in your global config file). If a file-specific configuration file is found in the same directory, no file-specific configuration is loaded from ~/.config/mpv. In addition, the --use-filedir-conf option enables directory-specific configuration files. For this, mpv first tries to load a mpv.conf from the same directory as the file played and then tries to load any file-specific configuration. TAKING SCREENSHOTS Screenshots of the currently played file can be taken using the 'screenshot' input mode command, which is by default bound to the s key. Files named mpv-shotNNNN.jpg will be saved in the working directory, using the first available number - no files will be overwritten. In pseudo-GUI mode, the screenshot will be saved somewhere else. A screenshot will usually contain the unscaled video contents at the end of the video filter chain and subtitles. By default, S takes screenshots without subtitles, while s includes subtitles. Unlike with MPlayer, the screenshot video filter is not required. This filter was never required in mpv, and has been removed. PROTOCOLS Many network protocols are supported, but the protocol prefix must always be specified. Mpv will never attempt to guess whether a filename is actually a network address. A protocol prefix is always required. Note that not all prefixes are documented here. Undocumented prefixes are either aliases to documented protocols, or are just redirections to protocols implemented and documented in FFmpeg. Data: is supported in FFmpeg (not in Libav), but needs to be in the format data://. This is done to avoid ambiguity with filenames. You can also prefix it with lavf:// or ffmpeg://. By default, the youtube-dl hook script (enabled by default for mpv CLI) only looks at http URLs. Prefixing an URL with ytdl:// forces it to be always processed by the script. This can also be used to invoke special youtube-dl functionality like playing a video by ID or invoking search. Keep in mind that you can't pass youtube-dl command line options by this, and you have to use --ytdl-raw-options instead. - Play data from stdin. Smb://PATH Play a path from Samba share. Bd://[title][/device] --bluray-device=PATH Play a Blu-ray disc. Currently, this does not accept ISO files. Instead, you must mount the ISO file as filesystem, and point --bluray-device to the mounted directory directly. Title can be: longest or first (selects the default playlist); mpls/ (selects.mpls playlist); (select playlist with the same index). You can list the available playlists with --msg-level=bd=v. Dvd://[title|[starttitle]-endtitle][/device] --dvd-device=PATH Play a DVD. DVD menus are not supported. If no title is given, the longest title is auto-selected. Dvdnav:// is an old alias for dvd:// and does exactly the same thing. Dvdread://.: Play a DVD using the old libdvdread code. This is what MPlayer and older mpv versions use for dvd://. Use is discouraged. It's provided only for compatibility and for transition, and to work around outstanding dvdnav bugs (see 'DVD library choices' above). Tv://[channel][/input_id] --tv. Analogue TV via V4L. Also useful for webcams. (Linux only.) pvr:// --pvr. (Linux only.) dvb://[cardnumber@]channel --dvbin. Digital TV via DVB. (Linux only.) mf://[filemask|@listfile] --mf. Play a series of images as video. Cdda://[device] --cdrom-device=PATH --cdda. Access any FFmpeg/Libav libavformat protocol. Basically, this passed the string after the // directly to libavformat. Av://type:options This is intended for using libavdevice inputs. Type is the libavdevice demuxer name, and options is the (pseudo-)filename passed to the demuxer. For example, mpv av://lavfi:mandelbrot makes use of the libavfilter wrapper included in libavdevice, and will use the mandelbrot source filter to generate input data. Avdevice:// is an alias. File://PATH A local path as URL. Might be useful in some special use-cases. Note that PATH itself should start with a third / to make the path an absolute path. Fd://123 Read data from the given file descriptor (for example 123). This is similar to piping data to stdin via -, but can use an arbitrary file descriptor. Fdclose://123 Like fd://, but the file descriptor is closed after use. When using this you need to ensure that the same fd URL will only be used once. Edl://[edl specification as in edl-mpv.rst] Stitch together parts of multiple files and play them. Null:// Simulate an empty file. If opened for writing, it will discard all data. The null demuxer will specifically pass autoprobing if this protocol is used (while it's not automatically invoked for empty files). Memory://data Use the data part as source data. Hex://data Like memory://, but the string is interpreted as hexdump. PSEUDO GUI MODE mpv has no official GUI, other than the OSC (), which is not a full GUI and is not meant to be. However, to compensate for the lack of expected GUI behavior, mpv will in some cases start with some settings changed to behave slightly more like a GUI mode. Currently this happens only in the following cases: • if started using the mpv.desktop file on Linux (e.g. Started from menus or file associations provided by desktop environments) • if started from explorer.exe on Windows (technically, if it was started on Windows, and all of the stdout/stderr/stdin handles are unset) • started out of the bundle on OSX • if you manually use --player-operation-mode=pseudo-gui on the command line This mode applies options from the builtin profile builtin-pseudo-gui, but only if these haven't been set in the user's config file or on the command line. Also, for compatibility with the old pseudo-gui behavior, the options in the pseudo-gui profile are applied unconditionally. In addition, the profile makes sure to enable the pseudo-GUI mode, so that --profile=pseudo-gui works like in older mpv releases. The profiles are currently defined as follows: [builtin-pseudo-gui] terminal=no force-window=yes idle=once screenshot-directory=~~desktop/ [pseudo-gui] player-operation-mode=pseudo-gui. Examples • mpv dvd://1 --alang=hu,en chooses the Hungarian language track on a DVD and falls back on English if Hungarian is not available. • mpv --alang=jpn example.mkv plays a Matroska file with Japanese audio. --slang= Specify a priority list of subtitle languages to use. Different container formats employ different language codes. DVDs use ISO 639-1 two letter language codes, Matroska uses ISO 639-2 three letter language codes while OGM uses a free-form identifier. See also --sid. Examples • mpv dvd://1 --slang=hu,en chooses the Hungarian subtitle track on a DVD and falls back on English if Hungarian is not available. • mpv --slang=jpn example.mkv plays a Matroska file with Japanese subtitles. --vlang= Equivalent to --alang and --slang, for video tracks. --aid= Select audio track. Auto selects the default, no disables audio. See also --alang. Mpv normally prints available audio tracks on the terminal when starting playback of a file. --audio is an alias for --aid. --aid=no or --audio=no or --no-audio disables audio playback. (The latter variant does not work with the client API.) --sid= Display the subtitle stream specified. Auto selects the default, no disables subtitles. --sub is an alias for --sid. --sid=no or --sub=no or --no-sub disables subtitle decoding. (The latter variant does not work with the client API.) --vid= Select video channel. Auto selects the default, no disables video. --video is an alias for --vid. --vid=no or --video=no or --no-video disables video playback. (The latter variant does not work with the client API.) If video is disabled, mpv will try to download the audio only if media is streamed with youtube-dl, because it saves bandwidth. This is done by setting the ytdl_format to 'bestaudio/best' in the ytdl_hook.lua script. --ff-aid=, --ff-sid=, --ff-vid= Select audio/subtitle/video streams by the FFmpeg stream index. The FFmpeg stream index is relatively arbitrary, but useful when interacting with other software using FFmpeg (consider ffprobe). Note that with external tracks (added with --sub-files and similar options), there will be streams with duplicate IDs. In this case, the first stream in order is selected. --edition= (Matroska files only) Specify the edition (set of chapters) to use, where 0 is the first. If set to auto (the default), mpv will choose the first edition declared as a default, or if there is no default, the first edition defined. --track-auto-selection= Enable the default track auto-selection (default: yes). Enabling this will make the player select streams according to --aid, --alang, and others. If it is disabled, no tracks are selected. In addition, the player will not exit if no tracks are selected, and wait instead (this wait mode is similar to pausing, but the pause option is not set). This is useful with --lavfi-complex: you can start playback in this mode, and then set select tracks at runtime by setting the filter graph. Note that if --lavfi-complex is set before playback is started, the referenced tracks are always selected. Examples --start=+56, --start=+00:56 Seeks to the start time + 56 seconds. --start=-56, --start=-00:56 Seeks to the end time - 56 seconds. --start=01:10:00 Seeks to 1 hour 10 min. --start=50% Seeks to the middle of the file. --start=30 --end=40 Seeks to 30 seconds, plays 10 seconds, and exits. --start=-3:20 --length=10 Seeks to 3 minutes and 20 seconds before the end of the file, plays 10 seconds, and exits. --start='#2' --end='#4' Plays chapters 2 and 3, and exits. --end= Stop at given absolute time. Use --length if the time should be relative to --start. See --start for valid option values and examples. --length= Stop after a given time relative to the start time. See --start for valid option values and examples. --rebase-start-time= Whether to move the file start time to 00:00:00 (default: yes). This is less awkward for files which start at a random timestamp, such as transport streams. On the other hand, if there are timestamp resets, the resulting behavior can be rather weird. For this reason, and in case you are actually interested in the real timestamps, this behavior can be disabled with no. --speed= Slow down or speed up playback by the factor given as parameter. If --audio-pitch-correction (on by default) is used, playing with a speed higher than normal automatically inserts the scaletempo audio filter. --pause Start the player in paused state. --shuffle Play files in random order. --chapter= Specify which chapter to start playing. Optionally specify which chapter to end playing. See also: --start. --playlist-start= Set which file on the internal playlist to start playback with. The index is an integer, with 0 meaning the first file. The value auto means that the selection of the entry to play is left to the playback resume mechanism (default). If an entry with the given index doesn't exist, the behavior is unspecified and might change in future mpv versions. The same applies if the playlist contains further playlists (don't expect any reasonable behavior). Passing a playlist file to mpv should work with this option, though. Mpv playlist.m3u --playlist-start=123 will work as expected, as long as playlist.m3u does not link to further playlists. The value no is a deprecated alias for auto. --playlist= Play files according to a playlist file (Supports some common formats. If no format is detected, it will be treated as list of files, separated by newline characters. Note that XML playlist formats are not supported.) You can play playlists directly and without this option, however, this option disables any security mechanisms that might be in place. You may also need this option to load plaintext files as playlist. Warning The way mpv uses playlist files via --playlist is not safe against maliciously constructed files. Such files may trigger harmful actions. This has been the case for all mpv and MPlayer versions, but unfortunately this fact was not well documented earlier, and some people have even misguidedly recommended use of --playlist with untrusted sources. Do NOT use --playlist with random internet sources or files you do not trust! Playlist can contain entries using other protocols, such as local files, or (most severely), special protocols like avdevice://, which are inherently unsafe. --chapter-merge-threshold= Threshold for merging almost consecutive ordered chapter parts in milliseconds (default: 100). Some Matroska files with ordered chapters have inaccurate chapter end timestamps, causing a small gap between the end of one chapter and the start of the next one when they should match. If the end of one playback part is less than the given threshold away from the start of the next one then keep playing video normally over the chapter change instead of doing a seek. --chapter-seek-threshold= Distance in seconds from the beginning of a chapter within which a backward chapter seek will go to the previous chapter (default: 5.0). Past this threshold, a backward chapter seek will go to the beginning of the current chapter instead. A negative value means always go back to the previous chapter. --hr-seek= Select when to use precise seeks that are not limited to keyframes. Such seeks require decoding video from the previous keyframe up to the target position and so can take some time depending on decoding performance. For some video formats, precise seeks are disabled. This option selects the default choice to use for seeks; it is possible to explicitly override that default in the definition of key bindings and in input commands. No: Never use precise seeks. Absolute: Use precise seeks if the seek is to an absolute position in the file, such as a chapter seek, but not for relative seeks like the default behavior of arrow keys (default). Yes: Use precise seeks whenever possible. Always: Same as yes (for compatibility). --hr-seek-demuxer-offset= This option exists to work around failures to do precise seeks (as in --hr-seek) caused by bugs or limitations in the demuxers for some file formats. Some demuxers fail to seek to a keyframe before the given target position, going to a later position instead. The value of this option is subtracted from the time stamp given to the demuxer. Thus, if you set this option to 1.5 and try to do a precise seek to 60 seconds, the demuxer is told to seek to time 58.5, which hopefully reduces the chance that it erroneously goes to some time later than 60 seconds. The downside of setting this option is that precise seeks become slower, as video between the earlier demuxer position and the real target may be unnecessarily decoded. --hr-seek-framedrop= Allow the video decoder to drop frames during seek, if these frames are before the seek target. If this is enabled, precise seeking can be faster, but if you're using video filters which modify timestamps or add new frames, it can lead to precise seeking skipping the target frame. Can break frame backstepping when deinterlacing is enabled. Default: yes --index= Controls how to seek in files. Note that if the index is missing from a file, it will be built on the fly by default, so you don't need to change this. But it might help with some broken files. Default: use an index if the file has one, or build it if missing recreate: don't read or use the file's index. Note This option only works if the underlying media supports seeking (i.e. Not with stdin, pipe, etc). --load-unsafe-playlists Load URLs from playlists which are considered unsafe (default: no). This includes special protocols and anything that doesn't refer to normal files. Local files and HTTP links on the other hand are always considered safe. Note that --playlist always loads all entries, so you use that instead if you really have the need for this functionality. --access-references= Follow any references in the file being opened (default: yes). Disabling this is helpful if the file is automatically scanned (e.g. Thumbnail generation). If the thumbnail scanner for example encounters a playlist file, which contains network URLs, and the scanner should not open these, enabling this option will prevent it. This option also disables ordered chapters, mov reference files, opening of archives, and a number of other features. On older FFmpeg versions, this will not work in some cases. Some FFmpeg demuxers might not respect this option. This option does not prevent opening of paired subtitle files and such. Use --autoload-files=no to prevent this. This option does not always work if you open non-files (for example using dvd://directory would open a whole bunch of files in the given directory). Prefixing the filename with./ if it doesn't start with a / will avoid this. --loop-playlist=, --loop-playlist Loops playback N times. A value of 1 plays it one time (default), 2 two times, etc. Inf means forever. No is the same as 1 and disables looping. If several files are specified on command line, the entire playlist is looped. --loop-playlist is the same as --loop-playlist=inf. The force mode is like inf, but does not skip playlist entries which have been marked as failing. This means the player might waste CPU time trying to loop a file that doesn't exist. But it might be useful for playing webradios under very bad network conditions. --loop-file=, --loop= Loop a single file N times. Inf means forever, no means normal playback. For compatibility, --loop-file and --loop-file=yes are also accepted, and are the same as --loop-file=inf. The difference to --loop-playlist is that this doesn't loop the playlist, just the file itself. If the playlist contains only a single file, the difference between the two option is that this option performs a seek on loop, instead of reloading the file. --loop is an alias for this option. --ab-loop-a=, --ab-loop-b= Set loop points. If playback passes the b timestamp, it will seek to the a timestamp. Seeking past the b point doesn't loop (this is intentional). If both options are set to no, looping is disabled. Otherwise, the start/end of the file is used if one of the options is set to no. The loop-points can be adjusted at runtime with the corresponding properties. See also ab-loop command. --ordered-chapters, --no-ordered-chapters Enabled by default. Disable support for Matroska ordered chapters. Mpv will not load or search for video segments from other files, and will also ignore any chapter order specified for the main file. --ordered-chapters-files= Loads the given file as playlist, and tries to use the files contained in it as reference files when opening a Matroska file that uses ordered chapters. This overrides the normal mechanism for loading referenced files by scanning the same directory the main file is located in. Useful for loading ordered chapter files that are not located on the local filesystem, or if the referenced files are in different directories. Note: a playlist can be as simple as a text file containing filenames separated by newlines. --chapters-file= Load chapters from this file, instead of using the chapter metadata found in the main file. This accepts a media file (like mkv) or even a pseudo-format like ffmetadata and uses its chapters to replace the current file's chapters. This doesn't work with OGM or XML chapters directly. --sstep= Skip seconds after every frame. Program Behavior --help, --h Show short summary of options. You can also pass a string to this option, which will list all top-level options which contain the string in the name, e.g. --h=scale for all options that contain the word scale. The special string * lists all top-level options. -v Increment verbosity level, one level for each -v found on the command line. --version, -V Print version string and exit. --no-config Do not load default configuration files. This prevents loading of both the user-level and system-wide mpv.conf and input.conf files. Other configuration files are blocked as well, such as resume playback files. Note Files explicitly requested by command line options, like --include or --use-filedir-conf, will still be loaded. See also: --config-dir. --list-options Prints all available options. --list-properties Print a list of the available properties. --list-protocols Print a list of the supported protocols. --log-file= Opens the given path for writing, and print log messages to it. Existing files will be truncated. The log level is at least -v, but can be raised via --msg-level (the option cannot lower it below the forced minimum log level). --config-dir= Force a different configuration directory. If this is set, the given directory is used to load configuration files, and all other configuration directories are ignored. This means the global mpv configuration directory as well as per-user directories are ignored, and overrides through environment variables ( MPV_HOME) are also ignored. Note that the --no-config option takes precedence over this option. --save-position-on-quit Always save the current playback position on quit. When this file is played again later, the player will seek to the old playback position on start. This does not happen if playback of a file is stopped in any other way than quitting. For example, going to the next file in the playlist will not save the position, and start playback at beginning the next time the file is played. This behavior is disabled by default, but is always available when quitting the player with Shift+Q. --watch-later-directory= The directory in which to store the 'watch later' temporary files. The default is a subdirectory named 'watch_later' underneath the config directory (usually ~/.config/mpv/). --dump-stats= Write certain statistics to the given file. The file is truncated on opening. The file will contain raw samples, each with a timestamp. To make this file into a readable, the script TOOLS/stats-conv.py can be used (which currently displays it as a graph). This option is useful for debugging only. --idle= Makes mpv wait idly instead of quitting when there is no file to play. Mostly useful in input mode, where mpv can be controlled through input commands. Once will only idle at start and let the player close once the first playlist has finished playing back. --include= Specify configuration file to be parsed after the default ones. --load-scripts= If set to no, don't auto-load scripts from the scripts configuration subdirectory (usually ~/.config/mpv/scripts/). (Default: yes) --script= Load a Lua script. You can load multiple scripts by separating them with commas (,). Set options for scripts. A script can query an option by key. If an option is used and what semantics the option value has depends entirely on the loaded scripts. Values not claimed by any scripts are ignored. --merge-files Pretend that all files passed to mpv are concatenated into a single, big file. This uses timeline/EDL support internally. --no-resume-playback Do not restore playback position from the watch_later configuration subdirectory (usually ~/.config/mpv/watch_later/). See quit-watch-later input command. --profile= Use the given profile(s), --profile=help displays a list of the defined profiles. --reset-on-next-file= Normally, mpv will try to keep all settings when playing the next file on the playlist, even if they were changed by the user during playback. (This behavior is the opposite of MPlayer's, which tries to reset all settings when starting next file.) Default: Do not reset anything. This can be changed with this option. It accepts a list of options, and mpv will reset the value of these options on playback start to the initial value. The initial value is either the default value, or as set by the config file or command line. In some cases, this might not work as expected. For example, --volume will only be reset if it is explicitly set in the config file or the command line. The special name all resets as many options as possible. Warning May be dangerous if playing from untrusted media. --ytdl, --no-ytdl Enable the youtube-dl hook-script. It will look at the input URL, and will play the video located on the website. This works with many streaming sites, not just the one that the script is named after. This requires a recent version of youtube-dl to be installed on the system. (Enabled by default, except when the client API / libmpv is used.) If the script can't do anything with an URL, it will do nothing. The exclude script option accepts a|-separated list of URL patterns which mpv should not use with youtube-dl. The patterns are matched after the http(s):// part of the URL. ^ matches the beginning of the URL, $ matches its end, and you should use% before any of the characters ^$()%|.[]*+-? To match that character. Examples • --script-opts=ytdl_hook-exclude='^youtube%.com' will exclude any URL that starts with or • --script-opts=ytdl_hook-exclude='%.mkv$|%.mp4$' will exclude any URL that ends with.mkv or.mp4. See more lua patterns here: --ytdl-format= Video format/quality that is directly passed to youtube-dl. The possible values are specific to the website and the video, for a given url the available formats can be found with the command youtube-dl --list-formats URL. See youtube-dl's documentation for available aliases. (Default: youtube-dl's default, currently bestvideo+bestaudio/best) --ytdl-raw-options==[,=[.]] Pass arbitrary options to youtube-dl. Parameter and argument should be passed as a key-value pair. Options without argument must include =. There is no sanity checking so it's possible to break things (i.e. Passing invalid parameters to youtube-dl). Example • --ytdl-raw-options=username=user,password=pass • --ytdl-raw-options=force-ipv6= --load-stats-overlay= Enable the builtin script that shows useful playback information on a key binding (default: yes). By default, the i key is used ( I to make the overlay permanent). --player-operation-mode= For enabling 'pseudo GUI mode', which means that the defaults for some options are changed. This option should not normally be used directly, but only by mpv internally, or mpv-provided scripts, config files, or.desktop files. Note See --vd=help for a full list of available decoders. --vf= Specify a list of video filters to apply to the video stream. See for details and descriptions of the available filters. The option variants --vf-add, --vf-pre, --vf-del and --vf-clr exist to modify a previously specified list, but you should not need these for typical use. --untimed Do not sleep when outputting video frames. Useful for benchmarks when used with --no-audio. --framedrop= Skip displaying some frames to maintain A/V sync on slow systems, or playing high framerate video on video outputs that have an upper framerate limit. The argument selects the drop methods, and can be one of the following: Disable any framedropping. Drop late frames on video output (default). This still decodes and filters all frames, but doesn't render them on the VO. It tries to query the display FPS (X11 only, not correct on multi-monitor systems), or assumes infinite display FPS if that fails. Drops are indicated in the terminal status line as Dropped: field. If the decoder is too slow, in theory all frames would have to be dropped (because all frames are too late) - to avoid this, frame dropping stops if the effective framerate is below 10 FPS. Old, decoder-based framedrop mode. (This is the same as --framedrop=yes in mpv 0.5.x and before.) This tells the decoder to skip frames (unless they are needed to decode future frames). May help with slow systems, but can produce unwatchable choppy output, or even freeze the display completely. Not recommended. The --vd-lavc-framedrop option controls what frames to drop. Enable both modes. Not recommended. Note --vo=vdpau has its own code for the vo framedrop mode. Slight differences to other VOs are possible. --display-fps= Set the display FPS used with the --video-sync=display-* modes. By default, a detected value is used. Keep in mind that setting an incorrect value (even if slightly incorrect) can ruin video playback. On multi-monitor systems, there is a chance that the detected value is from the wrong monitor. Set this option only if you have reason to believe the automatically determined value is wrong. --hwdec= Specify the hardware video decoding API that should be used if possible. Whether hardware decoding is actually done depends on the video codec. If hardware decoding is not possible, mpv will fall back on software decoding. Quality reduction with hardware decoding In theory, hardware decoding does not reduce video quality (at least for the codecs h264 and HEVC). However, due to restrictions in video output APIs, as well as bugs in the actual hardware decoders, there can be some loss, or even blatantly incorrect results. In some cases, RGB conversion is forced, which means the RGB conversion is performed by the hardware decoding API, instead of the shaders used by --vo=gpu. This means certain colorspaces may not display correctly, and certain filtering (such as debanding) cannot be applied in an ideal way. This will also usually force the use of low quality chroma scalers instead of the one specified by --cscale. In other cases, hardware decoding can also reduce the bit depth of the decoded image, which can introduce banding or precision loss for 10-bit files. Vdpau is usually safe. If deinterlacing enabled (or the vdpaupp video filter is active in general), it forces RGB conversion. The latter currently does not treat certain colorspaces like BT.2020 correctly (which is mostly a mpv-specific restriction). The vdpauprb video filter retrieves image data without RGB conversion and is safe (but precludes use of vdpau postprocessing). Vaapi is safe if the vaapi-egl backend is indicated in the logs. If vaapi-glx is indicated, and the video colorspace is either BT.601 or BT.709, a forced, low-quality but correct RGB conversion is performed. Otherwise, the result will be totally incorrect. D3d11va is safe when used with the d3d11 backend. If used with angle is it usually safe, except that 10 bit input (HEVC main 10 profiles) will be rounded down to 8 bits, which will result in reduced quality. Also note that with very old ANGLE builds (without EGL_KHR_stream path,) all input will be converted to RGB. Dxva2 is not safe. It appears to always use BT.601 for forced RGB conversion, but actual behavior depends on the GPU drivers. Some drivers appear to convert to limited range RGB, which gives a faded appearance. In addition to driver-specific behavior, global system settings might affect this additionally. This can give incorrect results even with completely ordinary video sources. Rpi always uses the hardware overlay renderer, even with --vo=gpu. Cuda should be safe, but it has been reported to corrupt the timestamps causing glitched, flashing frames on some files. It can also sometimes cause massive framedrops for unknown reasons. Caution is advised. Crystalhd is not safe. It always converts to 4:2:2 YUV, which may be lossy, depending on how chroma sub-sampling is done during conversion. It also discards the top left pixel of each frame for some reason. All other methods, in particular the copy-back methods (like dxva2-copy etc.) should hopefully be safe, although they can still cause random decoding issues. At the very least, they shouldn't affect the colors of the image. In particular, auto-copy will only select 'safe' modes (although potentially slower than other methods), but there's still no guarantee the chosen hardware decoder will actually work correctly. In general, it's very strongly advised to avoid hardware decoding unless absolutely necessary, i.e. If your CPU is insufficient to decode the file in questions. If you run into any weird decoding issues, frame glitches or discoloration, and you have --hwdec turned on, the first thing you should try is disabling it. --opengl-hwdec-interop= This is useful for the gpu and opengl-cb VOs for creating the hardware decoding OpenGL interop context, but without actually enabling hardware decoding itself (like --hwdec does). If set to an empty string (default), the --hwdec option is used. For gpu, if set, do not create the interop context on demand, but when the VO is created. For opengl-cb, if set, load the interop context as soon as the OpenGL context is created. Since opengl-cb has no on-demand loading, this allows enabling hardware decoding at runtime at all, without having to temporarily set the hwdec option just during OpenGL context initialization with mpv_opengl_cb_init_gl(). See --opengl-hwdec-interop=help for accepted values. This lists the interop backend, with the --hwdec alias after it in [.]. Consider all values except the proper interop backend name, auto, and no as silently deprecated and subject to change. Also, if you use this in application code (e.g. Via libmpv), any value other than auto and no should be avoided, as backends can change. Currently the option sets a single value. It is possible that the option type changes to a list in the future. The old alias --hwdec-preload has different behavior if the option value is no. --hwdec-image-format= Set the internal pixel format used by hardware decoding via --hwdec (default no). The special value no selects an implementation specific standard format. Most decoder implementations support only one format, and will fail to initialize if the format is not supported. Some implementations might support multiple formats. In particular, videotoolbox is known to require uyvy422 for good performance on some older hardware. D3d11va can always use yuv420p, which uses an opaque format, with likely no advantages. --videotoolbox-format= Set the internal pixel format used by --hwdec=videotoolbox on OSX. The choice of the format can influence performance considerably. On the other hand, there doesn't appear to be a good way to detect the best format for the given hardware. Nv12, the default, works better on modern hardware, while uyvy422 appears to be better for old hardware. Yuv420p also works. Since mpv 0.25.0, no is an accepted value, which lets the decoder pick the format on newer FFmpeg versions (will use nv12 on older versions). Use --hwdec-image-format if you really need this. If both are specified, --hwdec-image-format wins. --panscan= Enables pan-and-scan functionality (cropping the sides of e.g. A 16:9 video to make it fit a 4:3 display without black bands). The range controls how much of the image is cropped. May not work with all video output drivers. This option has no effect if --video-unscaled option is used. --video-aspect= Override video aspect ratio, in case aspect information is incorrect or missing in the file being played. See also --no-video-aspect. These values have special meaning: 0: disable aspect ratio handling, pretend the video has square pixels no: same as 0 -1: use the video stream or container aspect (default) But note that handling of these special values might change in the future. Examples • --video-aspect=4:3 or --video-aspect=1.3333 • --video-aspect=16:9 or --video-aspect=1.7777 • --no-video-aspect or --video-aspect=no --video-aspect-method= This sets the default video aspect determination method (if the aspect is _not_ overridden by the user with --video-aspect or others). Container: Strictly prefer the container aspect ratio. This is apparently the default behavior with VLC, at least with Matroska. Note that if the container has no aspect ratio set, the behavior is the same as with bitstream. Bitstream: Strictly prefer the bitstream aspect ratio, unless the bitstream aspect ratio is not set. This is apparently the default behavior with XBMC/kodi, at least with Matroska. The current default for mpv is container. Normally you should not set this. Try the various choices if you encounter video that has the wrong aspect ratio in mpv, but seems to be correct in other players. --video-unscaled= Disable scaling of the video. If the window is larger than the video, black bars are added. Otherwise, the video is cropped, unless the option is set to downscale-big, in which case the video is fit to window. The video still can be influenced by the other --video. This option disables the effect of --panscan. Note that the scaler algorithm may still be used, even if the video isn't scaled. For example, this can influence chroma conversion. The video will also still be scaled in one dimension if the source uses non-square pixels (e.g. Anamorphic widescreen DVDs). This option is disabled if the --no-keepaspect option is used. --video-pan-x=, --video-pan-y= Moves the displayed video rectangle by the given value in the X or Y direction. The unit is in fractions of the size of the scaled video (the full size, even if parts of the video are not visible due to panscan or other options). For example, displaying a 1280x720 video fullscreen on a 1680x1050 screen with --video-pan-x=-0.1 would move the video 168 pixels to the left (making 128 pixels of the source video invisible). This option is disabled if the --no-keepaspect option is used. --video-rotate= Rotate the video clockwise, in degrees. Currently supports 90° steps only. If no is given, the video is never rotated, even if the file has rotation metadata. (The rotation value is added to the rotation metadata, which means the value 0 would rotate the video according to the rotation metadata.) --video-stereo-mode= Set the stereo 3D output mode (default: mono). This is done by inserting the stereo3d conversion filter. The pseudo-mode no disables automatic conversion completely. The mode mono is an alias to ml, which refers to the left frame in 2D. This is the default, which means mpv will try to show 3D movies in 2D, instead of the mangled 3D image not intended for consumption (such as showing the left and right frame side by side, etc.). Use --video-stereo-mode=help to list all available modes. Check with the stereo3d filter documentation to see what the names mean. Note that some names refer to modes not supported by stereo3d - these modes can appear in files, but can't be handled properly by mpv. --video-zoom= Adjust the video display scale factor by the given value. The parameter is given log 2. For example, --video-zoom=0 is unscaled, --video-zoom=1 is twice the size, --video-zoom=-2 is one fourth of the size, and so on. This option is disabled if the --no-keepaspect option is used. --video-align-x=, --video-align-y= Moves the video rectangle within the black borders, which are usually added to pad the video to screen if video and screen aspect ratios are different. --video-align-y=-1 would move the video to the top of the screen (leaving a border only on the bottom), a value of 0 centers it (default), and a value of 1 would put the video at the bottom of the screen. If video and screen aspect match perfectly, these options do nothing. This option is disabled if the --no-keepaspect option is used. --correct-pts, --no-correct-pts --no-correct-pts switches mpv to a mode where video timing is determined using a fixed framerate value (either using the --fps option, or using file information). Sometimes, files with very broken timestamps can be played somewhat well in this mode. Note that video filters, subtitle rendering and audio synchronization can be completely broken in this mode. --fps= Override video framerate. Useful if the original value is wrong or missing. Note Works in --no-correct-pts mode only. --deinterlace= Enable or disable interlacing (default: no). Interlaced video shows ugly comb-like artifacts, which are visible on fast movement. Enabling this typically inserts the yadif video filter in order to deinterlace the video, or lets the video output apply deinterlacing if supported. This behaves exactly like the deinterlace input property (usually mapped to d). Keep in mind that this will conflict with manually inserted deinterlacing filters, unless you take care. (Since mpv 0.27.0, even the hardware deinterlace filters will conflict. Also since that version, --deinterlace=auto was removed, which used to mean that the default interlacing option of possibly inserted video filters was used.) --frames= Play/convert only first video frames, then quit. --frames=0 loads the file, but immediately quits before initializing playback. (Might be useful for scripts which just want to determine some file properties.) For audio-only playback, any value greater than 0 will quit playback immediately after initialization. The value 0 works as with video. --video-output-levels= RGB color levels used with YUV to RGB conversion. Normally, output devices such as PC monitors use full range color levels. However, some TVs and video monitors expect studio RGB levels. Providing full range output to a device expecting studio level input results in crushed blacks and whites, the reverse in dim gray blacks and dim whites. Not all VOs support this option. Some will silently ignore it. Available color ranges are: auto: automatic selection (equals to full range) (default) limited: limited range (16-235 per component), studio levels full: full range (0-255 per component), PC levels. Note It is advisable to use your graphics driver's color range option instead, if available. --hwdec-codecs= Allow hardware decoding for a given list of codecs only. The special value all always allows all codecs. You can get the list of allowed codecs with mpv --vd=help. Remove the prefix, e.g. Instead of lavc:h264 use h264. By default, this is set to h264,vc1,wmv3,hevc,mpeg2video,vp9. Note that the hardware acceleration special codecs like h264_vdpau are not relevant anymore, and in fact have been removed from Libav in this form. This is usually only needed with broken GPUs, where a codec is reported as supported, but decoding causes more problems than it solves. Example mpv --hwdec=vdpau --vo=vdpau --hwdec-codecs=h264,mpeg2video Enable vdpau decoding for h264 and mpeg2 only. --vd-lavc-check-hw-profile= Check hardware decoder profile (default: yes). If no is set, the highest profile of the hardware decoder is unconditionally selected, and decoding is forced even if the profile of the video is higher than that. The result is most likely broken decoding, but may also help if the detected or reported profiles are somehow incorrect. --vd-lavc-software-fallback= Fallback to software decoding if the hardware-accelerated decoder fails (default: 3). If this is a number, then fallback will be triggered if N frames fail to decode in a row. 1 is equivalent to yes. --vd-lavc-dr= Enable direct rendering (default: no). If this is set to yes, the video will be decoded directly to GPU video memory (or staging buffers). This can speed up video upload, and may help with large resolutions or slow hardware. This works only with the following VOs: • gpu: requires at least OpenGL 4.4. (In particular, this can't be made work with opengl-cb.) Using video filters of any kind that write to the image data (or output newly allocated frames) will silently disable the DR code path. There are some corner cases that will result in undefined behavior (crashes and other strange behavior) if this option is enabled. These are pending towards being fixed properly at a later point. --vd-lavc-bitexact Only use bit-exact algorithms in all decoding steps (for codec testing). --vd-lavc-fast (MPEG-2, MPEG-4, and H.264 only) Enable optimizations which do not comply with the format specification and potentially cause problems, like simpler dequantization, simpler motion compensation, assuming use of the default quantization matrix, assuming YUV 4:2:0 and skipping a few checks to detect damaged bitstreams. --vd-lavc-o==[,=[.]] Pass AVOptions to libavcodec decoder. Note, a patch to make the o= unneeded and pass all unknown options through the AVOption system is welcome. A full list of AVOptions can be found in the FFmpeg manual. Some options which used to be direct options can be set with this mechanism, like bug, gray, idct, ec, vismv, skip_top (was st), skip_bottom (was sb), debug. Example --vd-lavc-o=debug=pict --vd-lavc-show-all= Show even broken/corrupt frames (default: no). If this option is set to no, libavcodec won't output frames that were either decoded before an initial keyframe was decoded, or frames that are recognized as corrupted. --vd-lavc-skiploopfilter= (H.264 only) Skips the loop filter (AKA deblocking) during H.264 decoding. Since the filtered frame is supposed to be used as reference for decoding dependent frames, this has a worse effect on quality than not doing deblocking on e.g. MPEG-2 video. But at least for high bitrate HDTV, this provides a big speedup with little visible quality loss. Can be one of the following: none: Never skip. Default: Skip useless processing steps (e.g. 0 size packets in AVI). Nonref: Skip frames that are not referenced (i.e. Not used for decoding other frames, the error cannot 'build up'). Bidir: Skip B-Frames. Nonkey: Skip all frames except keyframes. All: Skip all frames. --vd-lavc-skipidct= (MPEG-1/2 only) Skips the IDCT step. This degrades quality a lot in almost all cases (see skiploopfilter for available skip values). --vd-lavc-skipframe= Skips decoding of frames completely. Big speedup, but jerky motion and sometimes bad artifacts (see skiploopfilter for available skip values). --vd-lavc-framedrop= Set framedropping mode used with --framedrop (see skiploopfilter for available skip values). --vd-lavc-threads= Number of threads to use for decoding. Whether threading is actually supported depends on codec (default: 0). 0 means autodetect number of cores on the machine and use that, up to the maximum of 16. You can set more than 16 threads manually. Audio --audio-pitch-correction= If this is enabled (default), playing with a speed different from normal automatically inserts the scaletempo audio filter. For details, see audio filter section. --audio-device= Use the given audio device. This consists of the audio output name, e.g. Alsa, followed by /, followed by the audio output specific device name. The default value for this option is auto, which tries every audio output in preference order with the default device. You can list audio devices with --audio-device=help. This outputs the device name in quotes, followed by a description. The device name is what you have to pass to the --audio-device option. The list of audio devices can be retrieved by API by using the audio-device-list property. While the option normally takes one of the strings as indicated by the methods above, you can also force the device for most AOs by building it manually. For example name/foobar forces the AO name to use the device foobar. Example for ALSA MPlayer and mplayer2 required you to replace any ',' with '.' And any ':' with '=' in the ALSA device name. For example, to use the device named dmix:default, you had to do: -ao alsa:device=dmix=default In mpv you could instead use: --audio-device=alsa/dmix:default --audio-exclusive= Enable exclusive output mode. In this mode, the system is usually locked out, and only mpv will be able to output audio. This only works for some audio outputs, such as wasapi and coreaudio. Other audio outputs silently ignore this options. They either have no concept of exclusive mode, or the mpv side of the implementation is missing. --audio-fallback-to-null= If no audio device can be opened, behave as if --ao=null was given. This is useful in combination with --audio-device: instead of causing an error if the selected device does not exist, the client API user (or a Lua script) could let playback continue normally, and check the current-ao and audio-device-list properties to make high-level decisions about how to continue. --ao= Specify the audio output drivers to be used. See for details and descriptions of available drivers. --af= Specify a list of audio filters to apply to the audio stream. See for details and descriptions of the available filters. The option variants --af-add, --af-pre, --af-del and --af-clr exist to modify a previously specified list, but you should not need these for typical use. --audio-spdif= List of codecs for which compressed audio passthrough should be used. This works for both classic S/PDIF and HDMI. Possible codecs are ac3, dts, dts-hd, eac3, truehd. Multiple codecs can be specified by separating them with. Dts refers to low bitrate DTS core, while dts-hd refers to DTS MA (receiver and OS support varies). If both dts and dts-hd are specified, it behaves equivalent to specifying dts-hd only. In earlier mpv versions you could use --ad to force the spdif wrapper. This does not work anymore. Warning There is not much reason to use this. HDMI supports uncompressed multichannel PCM, and mpv supports lossless DTS-HD decoding via FFmpeg's new DCA decoder (based on libdcadec). --ad= Specify a priority list of audio decoders to be used, according to their decoder name. When determining which decoder to use, the first decoder that matches the audio format is selected. If that is unavailable, the next decoder is used. Finally, it tries all other decoders that are not explicitly selected or rejected by the option. - at the end of the list suppresses fallback on other available decoders not on the --ad list. + in front of an entry forces the decoder. Both of these should not normally be used, because they break normal decoder auto-selection! Both of these methods are deprecated. Warning Enabling compressed audio passthrough (AC3 and DTS via SPDIF/HDMI) with this option is not possible. Use --audio-spdif instead. --volume= Set the startup volume. 0 means silence, 100 means no volume reduction or amplification. Negative values can be passed for compatibility, but are treated as 0. Since mpv 0.18.1, this always controls the internal mixer (aka 'softvol'). --replaygain= Adjust volume gain according to the track-gain or album-gain replaygain value stored in the file metadata (default: no replaygain). --replaygain-preamp= Pre-amplification gain in dB to apply to the selected replaygain gain (default: 0). --replaygain-clip= Prevent clipping caused by replaygain by automatically lowering the gain (default). Use --replaygain-clip=no to disable this. --replaygain-fallback= Gain in dB to apply if the file has no replay gain tags. This option is always applied if the replaygain logic is somehow inactive. If this is applied, no other replaygain options are applied. --balance= How much left/right channels contribute to the audio. (The implementation of this feature is rather odd. It doesn't change the volumes of each channel, but instead sets up a pan matrix to mix the left and right channels.) Deprecated. --audio-delay= Audio delay in seconds (positive or negative float value). Positive values delay the audio, and negative values delay the video. --mute= Set startup audio mute status (default: no). Auto is a deprecated possible value that is equivalent to no. See also: --volume. --softvol= Deprecated/unfunctional. Before mpv 0.18.1, this used to control whether to use the volume controls of the audio output driver or the internal mpv volume filter. The current behavior is that softvol is always enabled, i.e. As if this option is set to yes. The other behaviors are not available anymore, although auto almost matches current behavior in most cases. The no behavior is still partially available through the ao-volume and ao-mute properties. But there are no options to reset these. --audio-demuxer= Use this audio demuxer type when using --audio-file. Use a '+' before the name to force it; this will skip some checks. Give the demuxer name as printed by --audio-demuxer=help. --ad-lavc-ac3drc= Select the Dynamic Range Compression level for AC-3 audio streams. Is a float value ranging from 0 to 1, where 0 means no compression (which is the default) and 1 means full compression (make loud passages more silent and vice versa). Values up to 6 are also accepted, but are purely experimental. This option only shows an effect if the AC-3 stream contains the required range compression information. The standard mandates that DRC is enabled by default, but mpv (and some other players) ignore this for the sake of better audio quality. --ad-lavc-downmix= Whether to request audio channel downmixing from the decoder (default: yes). Some decoders, like AC-3, AAC and DTS, can remix audio on decoding. The requested number of output channels is set with the --audio-channels option. Useful for playing surround audio on a stereo system. --ad-lavc-threads= Number of threads to use for decoding. Whether threading is actually supported depends on codec. As of this writing, it's supported for some lossless codecs only. 0 means autodetect number of cores on the machine and use that, up to the maximum of 16 (default: 1). --ad-lavc-o==[,=[.]] Pass AVOptions to libavcodec decoder. Note, a patch to make the o= unneeded and pass all unknown options through the AVOption system is welcome. A full list of AVOptions can be found in the FFmpeg manual. --ad-spdif-dtshd=, --dtshd, --no-dtshd If DTS is passed through, use DTS-HD. Warning This and enabling passthrough via --ad are deprecated in favor of using --audio-spdif=dts-hd. --audio-channels= Control which audio channels are output (e.g. There are the following possibilities: • --audio-channels=auto-safe Use the system's preferred channel layout. If there is none (such as when accessing a hardware device instead of the system mixer), force stereo. Some audio outputs might simply accept any layout and do downmixing on their own. This is the default. • --audio-channels=auto Send the audio device whatever it accepts, preferring the audio's original channel layout. Can cause issues with HDMI (see the warning below). • --audio-channels=layout1,layout2. List of,-separated channel layouts which should be allowed. Technically, this only adjusts the filter chain output to the best matching layout in the list, and passes the result to the audio API. It's possible that the audio API will select a different channel layout. Using this mode is recommended for direct hardware output, especially over HDMI (see HDMI warning below). • --audio-channels=stereo Force a plain stereo downmix. This is a special-case of the previous item. (See paragraphs below for implications.) If a list of layouts is given, each item can be either an explicit channel layout name (like 5.1), or a channel number. Channel numbers refer to default layouts, e.g. 2 channels refer to stereo, 6 refers to 5.1. See --audio-channels=help output for defined default layouts. This also lists speaker names, which can be used to express arbitrary channel layouts (e.g. Fl-fr-lfe is 2.1). If the list of channel layouts has only 1 item, the decoder is asked to produce according output. This sometimes triggers decoder-downmix, which might be different from the normal mpv downmix. (Only some decoders support remixing audio, like AC-3, AAC or DTS. You can use --ad-lavc-downmix=no to make the decoder always output its native layout.) One consequence is that --audio-channels=stereo triggers decoder downmix, while auto or auto-safe never will, even if they end up selecting stereo. This happens because the decision whether to use decoder downmix happens long before the audio device is opened. If the channel layout of the media file (i.e. The decoder) and the AO's channel layout don't match, mpv will attempt to insert a conversion filter. You may need to change the channel layout of the system mixer to achieve your desired output as mpv does not have control over it. Another work-around for this on some AOs is to use --audio-exclusive=yes to circumvent the system mixer entirely. Warning Using auto can cause issues when using audio over HDMI. The OS will typically report all channel layouts that _can_ go over HDMI, even if the receiver does not support them. If a receiver gets an unsupported channel layout, random things can happen, such as dropping the additional channels, or adding noise. You are recommended to set an explicit whitelist of the layouts you want. For example, most A/V receivers connected via HDMI and that can do 7.1 would be served by: --audio-channels=7.1,5.1,stereo --audio-normalize-downmix= Enable/disable normalization if surround audio is downmixed to stereo (default: no). If this is disabled, downmix can cause clipping. If it's enabled, the output might be too silent. It depends on the source audio. Technically, this changes the normalize suboption of the lavrresample audio filter, which performs the downmixing. If downmix happens outside of mpv for some reason, this has no effect. --audio-display= Setting this option to attachment (default) will display image attachments (e.g. Album cover art) when playing audio files. It will display the first image found, and additional images are available as video tracks. Setting this option to no disables display of video entirely when playing audio files. This option has no influence on files with normal video tracks. --audio-files= Play audio from an external file while viewing a video. This is a list option. See for details. --audio-file= CLI/config file only alias for --audio-files-append. Each use of this option will add a new audio track. The details are similar to how --sub-file works. --audio-format= Select the sample format used for output from the audio filter layer to the sound card. The values that can adopt are listed below in the description of the format audio filter. --audio-samplerate= Select the output sample rate to be used (of course sound cards have limits on this). If the sample frequency selected is different from that of the current media, the lavrresample audio filter will be inserted into the audio filter layer to compensate for the difference. --gapless-audio= Try to play consecutive audio files with no silence or disruption at the point of file change. Default: weak. No: Disable gapless audio. Yes: The audio device is opened using parameters chosen for the first file played and is then kept open for gapless playback. This means that if the first file for example has a low sample rate, then the following files may get resampled to the same low sample rate, resulting in reduced sound quality. If you play files with different parameters, consider using options such as --audio-samplerate and --audio-format to explicitly select what the shared output format will be. Weak: Normally, the audio device is kept open (using the format it was first initialized with). If the audio format the decoder output changes, the audio device is closed and reopened. This means that you will normally get gapless audio with files that were encoded using the same settings, but might not be gapless in other cases. (Unlike with yes, you don't have to worry about corner cases like the first file setting a very low quality output format, and ruining the playback of higher quality files that follow.). Note This feature is implemented in a simple manner and relies on audio output device buffering to continue playback while moving from one file to another. If playback of the new file starts slowly, for example because it is played from a remote network location or because you have specified cache settings that require time for the initial cache fill, then the buffered audio may run out before playback of the new file can start. --initial-audio-sync, --no-initial-audio-sync When starting a video file or after events such as seeking, mpv will by default modify the audio stream to make it start from the same timestamp as video, by either inserting silence at the start or cutting away the first samples. Disabling this option makes the player behave like older mpv versions did: video and audio are both started immediately even if their start timestamps differ, and then video timing is gradually adjusted if necessary to reach correct synchronization later. --volume-max=, --softvol-max= Set the maximum amplification level in percent (default: 130). A value of 130 will allow you to adjust the volume up to about double the normal level. --softvol-max is a deprecated alias and should not be used. --audio-file-auto=, --no-audio-file-auto Load additional audio files matching the video filename. The parameter specifies how external audio files are matched. No: Don't automatically load external audio files (default). Exact: Load the media filename with audio file extension. Fuzzy: Load all audio files containing media filename. All: Load all audio files in the current and --audio-file-paths directories. --audio-file-paths= Equivalent to --sub-file-paths option, but for auto-loaded audio files. --audio-client-name= The application name the player reports to the audio API. Can be useful if you want to force a different audio profile (e.g. With PulseAudio), or to set your own application name when using libmpv. --audio-buffer= Set the audio output minimum buffer. The audio device might actually create a larger buffer if it pleases. If the device creates a smaller buffer, additional audio is buffered in an additional software buffer. Making this larger will make soft-volume and other filters react slower, introduce additional issues on playback speed change, and block the player on audio format changes. A smaller buffer might lead to audio dropouts. This option should be used for testing only. If a non-default value helps significantly, the mpv developers should be contacted. Default: 0.2 (200 ms). --audio-stream-silence= Cash-grab consumer audio hardware (such as A/V receivers) often ignore initial audio sent over HDMI. This can happen every time audio over HDMI is stopped and resumed. In order to compensate for this, you can enable this option to not to stop and restart audio on seeks, and fill the gaps with silence. Likewise, when pausing playback, audio is not stopped, and silence is played while paused. Note that if no audio track is selected, the audio device will still be closed immediately. Not all AOs support this. --audio-wait-open= This makes sense for use with --audio-stream-silence=yes. If this option is given, the player will wait for the given amount of seconds after opening the audio device before sending actual audio data to it. Useful if your expensive hardware discards the first 1 or 2 seconds of audio data sent to it. If --audio-stream-silence=yes is not set, this option will likely just waste time. Note Changing styling and position does not work with all subtitles. Image-based subtitles (DVD, Bluray/PGS, DVB) cannot changed for fundamental reasons. Subtitles in ASS format are normally not changed intentionally, but overriding them can be controlled with --sub-ass-override. Previously some options working on text subtitles were called --sub-text-*, they are now named --sub-*, and those specifically for ASS have been renamed from --ass-* to --sub-ass-*. They are now all in this section. --sub-demuxer= Force subtitle demuxer type for --sub-file. Give the demuxer name as printed by --sub-demuxer=help. --sub-delay= Delays subtitles by seconds. Can be negative. --sub-files= Add a subtitle file to the list of external subtitles. If you use --sub-file only once, this subtitle file is displayed by default. If --sub-file is used multiple times, the subtitle to use can be switched at runtime by cycling subtitle tracks. It's possible to show two subtitles at once: use --sid to select the first subtitle index, and --secondary-sid to select the second index. (The index is printed on the terminal output after the --sid= in the list of streams.) This is a list option. See for details. --secondary-sid= Select a secondary subtitle stream. This is similar to --sid. If a secondary subtitle is selected, it will be rendered as toptitle (i.e. On the top of the screen) alongside the normal subtitle, and provides a way to render two subtitles at once. There are some caveats associated with this feature. For example, bitmap subtitles will always be rendered in their usual position, so selecting a bitmap subtitle as secondary subtitle will result in overlapping subtitles. Secondary subtitles are never shown on the terminal if video is disabled. Note This affects ASS subtitles as well, and may lead to incorrect subtitle rendering. Use with care, or use --sub-font-size instead. --sub-scale-by-window= Whether to scale subtitles with the window size (default: yes). If this is disabled, changing the window size won't change the subtitle font size. Like --sub-scale, this can break ASS subtitles. --sub-scale-with-window= Make the subtitle font size relative to the window, instead of the video. This is useful if you always want the same font size, even if the video doesn't cover the window fully, e.g. Because screen aspect and window aspect mismatch (and the player adds black bars). Default: yes. This option is misnamed. The difference to the confusingly similar sounding option --sub-scale-by-window is that --sub-scale-with-window still scales with the approximate window size, while the other option disables this scaling. Affects plain text subtitles only (or ASS if --sub-ass-override is set high enough). --sub-ass-scale-with-window= Like --sub-scale-with-window, but affects subtitles in ASS format only. Like --sub-scale, this can break ASS subtitles. --embeddedfonts, --no-embeddedfonts Use fonts embedded in Matroska container files and ASS scripts (default: enabled). These fonts can be used for SSA/ASS subtitle rendering. --sub-pos= Specify the position of subtitles on the screen. The value is the vertical position of the subtitle in% of the screen height. Warning Enabling hinting can lead to mispositioned text (in situations it's supposed to match up video background), or reduce the smoothness of animations with some badly authored ASS scripts. It is recommended to not use this option, unless really needed. --sub-ass-line-spacing= Set line spacing value for SSA/ASS renderer. --sub-ass-shaper= Set the text layout engine used by libass. Simple: uses Fribidi only, fast, doesn't render some languages correctly complex: uses HarfBuzz, slower, wider language support complex is the default. If libass hasn't been compiled against HarfBuzz, libass silently reverts to simple. --sub-ass-styles= Load all SSA/ASS styles found in the specified file and use them for rendering text subtitles. The syntax of the file is exactly like the [V4 Styles] / [V4+ Styles] section of SSA/ASS. Note Using this option may lead to incorrect subtitle rendering. --sub-ass-override= Control whether user style overrides should be applied. Note that all of these overrides try to be somewhat smart about figuring out whether or not a subtitle is considered a 'sign'. No: Render subtitles as specified by the subtitle scripts, without overrides. Yes: Apply all the --sub-ass-* style override options. Changing the default for any of these options can lead to incorrect subtitle rendering (default). Force: Like yes, but also force all --sub-* options. Can break rendering easily. Scale: Like yes, but also apply --sub-scale. Strip: Radically strip all ASS tags and styles from the subtitle. This is equivalent to the old --no-ass / --no-sub-ass options. --sub-ass-force-margins Enables placing toptitles and subtitles in black borders when they are available, if the subtitles are in the ASS format. --sub-use-margins Enables placing toptitles and subtitles in black borders when they are available, if the subtitles are in a plain text format (or ASS if --sub-ass-override is set high enough). Default: yes. Renamed from --sub-ass-use-margins. To place ASS subtitles in the borders too (like the old option did), also add --sub-ass-force-margins. --sub-ass-vsfilter-aspect-compat= Stretch SSA/ASS subtitles when playing anamorphic videos for compatibility with traditional VSFilter behavior. This switch has no effect when the video is stored with square pixels. The renderer historically most commonly used for the SSA/ASS subtitle formats, VSFilter, had questionable behavior that resulted in subtitles being stretched too if the video was stored in anamorphic format that required scaling for display. This behavior is usually undesirable and newer VSFilter versions may behave differently. However, many existing scripts compensate for the stretching by modifying things in the opposite direction. Thus, if such scripts are displayed 'correctly', they will not appear as intended. This switch enables emulation of the old VSFilter behavior (undesirable but expected by many existing scripts). Enabled by default. --sub-ass-vsfilter-blur-compat= Scale blur tags by video resolution instead of script resolution (enabled by default). This is bug in VSFilter, which according to some, can't be fixed anymore in the name of compatibility. Note that this uses the actual video resolution for calculating the offset scale factor, not what the video filter chain or the video output use. --sub-ass-vsfilter-color-compat= Mangle colors like (xy-)vsfilter do (default: basic). Historically, VSFilter was not color space aware. This was no problem as long as the color space used for SD video (BT.601) was used. But when everything switched to HD (BT.709), VSFilter was still converting RGB colors to BT.601, rendered them into the video frame, and handled the frame to the video output, which would use BT.709 for conversion to RGB. The result were mangled subtitle colors. Later on, bad hacks were added on top of the ASS format to control how colors are to be mangled. Basic: Handle only BT.601->BT.709 mangling, if the subtitles seem to indicate that this is required (default). Full: Handle the full YCbCr Matrix header with all video color spaces supported by libass and mpv. This might lead to bad breakages in corner cases and is not strictly needed for compatibility (hopefully), which is why this is not default. Force-601: Force BT.601->BT.709 mangling, regardless of subtitle headers or video color space. No: Disable color mangling completely. All colors are RGB. Choosing anything other than no will make the subtitle color depend on the video color space, and it's for example in theory not possible to reuse a subtitle script with another video file. The --sub-ass-override option doesn't affect how this option is interpreted. --stretch-dvd-subs= Stretch DVD subtitles when playing anamorphic videos for better looking fonts on badly mastered DVDs. This switch has no effect when the video is stored with square pixels - which for DVD input cannot be the case though. Many studios tend to use bitmap fonts designed for square pixels when authoring DVDs, causing the fonts to look stretched on playback on DVD players. This option fixes them, however at the price of possibly misaligning some subtitles (e.g. Sign translations). Disabled by default. --stretch-image-subs-to-screen= Stretch DVD and other image subtitles to the screen, ignoring the video margins. This has a similar effect as --sub-use-margins for text subtitles, except that the text itself will be stretched, not only just repositioned. (At least in general it is unavoidable, as an image bitmap can in theory consist of a single bitmap covering the whole screen, and the player won't know where exactly the text parts are located.) This option does not display subtitles correctly. Use with care. Disabled by default. --image-subs-video-resolution= Override the image subtitle resolution with the video resolution (default: no). Normally, the subtitle canvas is fit into the video canvas (e.g. Setting this option uses the video size as subtitle canvas size. Can be useful to test broken subtitles, which often happen when the video was trancoded, while attempting to keep the old subtitles. --sub-ass, --no-sub-ass Render ASS subtitles natively (enabled by default). Note Using --no-sub-ass may lead to incorrect or completely broken rendering of ASS/SSA subtitles. It can sometimes be useful to forcibly override the styling of ASS subtitles, but should be avoided in general. --sub-auto=, --no-sub-auto Load additional subtitle files matching the video filename. The parameter specifies how external subtitle files are matched. Exact is enabled by default. No: Don't automatically load external subtitle files. Exact: Load the media filename with subtitle file extension (default). Fuzzy: Load all subs containing media filename. All: Load all subs in the current and --sub-file-paths directories. --sub-codepage= You can use this option to specify the subtitle codepage. Uchardet will be used to guess the charset. (If mpv was not compiled with uchardet, then utf-8 is the effective default.) The default value for this option is auto, which enables autodetection. The following steps are taken to determine the final codepage, in order: • if the specific codepage has a +, use that codepage • if the data looks like UTF-8, assume it is UTF-8 • if --sub-codepage is set to a specific codepage, use that • run uchardet, and if successful, use that • otherwise, use UTF-8-BROKEN. Examples • --sub-codepage=latin2 Use Latin 2 if input is not UTF-8. • --sub-codepage=+cp1250 Always force recoding to cp1250. The pseudo codepage UTF-8-BROKEN is used internally. If it's set, subtitles are interpreted as UTF-8 with 'Latin 1' as fallback for bytes which are not valid UTF-8 sequences. Iconv is never involved in this mode. This option changed in mpv 0.23.0. Support for the old syntax was fully removed in mpv 0.24.0. --sub-fix-timing= Adjust subtitle timing is to remove minor gaps or overlaps between subtitles (if the difference is smaller than 210 ms, the gap or overlap is removed). --sub-forced-only Display only forced subtitles for the DVD subtitle stream selected by e.g. --sub-fps= Specify the framerate of the subtitle file (default: video fps). Affects text subtitles only. Example Assuming that /path/to/video/video.avi is played and --sub-file-paths=sub:subtitles is specified, mpv searches for subtitle files in these directories: • /path/to/video/ • /path/to/video/sub/ • /path/to/video/subtitles/ • the sub configuration subdirectory (usually ~/.config/mpv/sub/) This is a list option. See for details. --sub-visibility, --no-sub-visibility Can be used to disable display of subtitles, but still select and decode them. --sub-clear-on-seek (Obscure, rarely useful.) Can be used to play broken mkv files with duplicate ReadOrder fields. ReadOrder is the first field in a Matroska-style ASS subtitle packets. It should be unique, and libass uses it for fast elimination of duplicates. This option disables caching of subtitles across seeks, so after a seek libass can't eliminate subtitle packets with the same ReadOrder as earlier packets. --teletext-page= This works for dvb_teletext subtitle streams, and if FFmpeg has been compiled with support for it. --sub-font= Specify font to use for subtitles that do not themselves specify a particular font. The default is sans-serif. Note The --sub-font option (and many other style related --sub- options) are ignored when ASS-subtitles are rendered, unless the --no-sub-ass option is specified. This used to support fontconfig patterns. Starting with libass 0.13.0, this stopped working. --sub-font-size= Specify the sub font size. The unit is the size in scaled pixels at a window height of 720. The actual pixel size is scaled with the window height: if the window height is larger or smaller than 720, the actual size of the text increases or decreases as well. --sub-back-color= See --sub-color. Color used for sub text background. --sub-blur= Gaussian blur factor. 0 means no blur applied (default). --sub-bold= Format text on bold. --sub-italic= Format text on italic. --sub-border-color= See --sub-color. Color used for the sub font border. Note ignored when --sub-back-color is specified (or more exactly: when that option is not set to completely transparent). --sub-border-size= Size of the sub font border in scaled pixels (see --sub-font-size for details). A value of 0 disables borders. --sub-color= Specify the color used for unstyled text subtitles. The color is specified in the form r/g/b, where each color component is specified as number in the range 0.0 to 1.0. It's also possible to specify the transparency by using r/g/b/a, where the alpha value 0 means fully transparent, and 1.0 means opaque. If the alpha component is not given, the color is 100% opaque. Passing a single number to the option sets the sub to gray, and the form gray/a lets you specify alpha additionally. Examples • --sub-color='#FF0000' set sub to opaque red • --sub-color='#C0808080' set sub to 50% gray with 75% alpha --sub-margin-x= Left and right screen margin for the subs in scaled pixels (see --sub-font-size for details). This option specifies the distance of the sub to the left, as well as at which distance from the right border long sub text will be broken. --sub-margin-y= Top and bottom screen margin for the subs in scaled pixels (see --sub-font-size for details). This option specifies the vertical margins of unstyled text subtitles. If you just want to raise the vertical subtitle position, use --sub-pos. --sub-align-x= Control to which corner of the screen text subtitles should be aligned to (default: center). Never applied to ASS subtitles, except in --no-sub-ass mode. Likewise, this does not apply to image subtitles. --sub-align-y= Vertical position (default: bottom). Details see --sub-align-x. --sub-justify= Control how multi line subs are justified irrespective of where they are aligned (default: auto which justifies as defined by --sub-align-y). Left justification is recommended to make the subs easier to read as it is easier for the eyes. --sub-ass-justify= Applies justification as defined by --sub-justify on ASS subtitles if --sub-ass-override is not set to no. --sub-shadow-color= See --sub-color. Color used for sub text shadow. --sub-shadow-offset= Displacement of the sub text shadow in scaled pixels (see --sub-font-size for details). A value of 0 disables shadows. --sub-spacing= Horizontal sub font spacing in scaled pixels (see --sub-font-size for details). This value is added to the normal letter spacing. Negative values are allowed. --sub-filter-sdh= Applies filter removing subtitle additions for the deaf or hard-of-hearing (SDH). This is intended for English, but may in part work for other languages too. The intention is that it can be always enabled so may not remove all parts added. It removes speaker labels (like MAN:), upper case text in parentheses and any text in brackets. --sub-filter-sdh-harder= Do harder SDH filtering (if enabled by --sub-filter-sdh). Will also remove speaker labels and text within parentheses using both lower and upper case letters. --sub-create-cc-track= For every video stream, create a closed captions track (default: no). The only purpose is to make the track available for selection at the start of playback, instead of creating it lazily. This applies only to ATSC A53 Part 4 Closed Captions (displayed by mpv as subtitle tracks using the codec eia_608). The CC track is marked 'default' and selected according to the normal subtitle track selection rules. You can then use --sid to explicitly select the correct track too. If the video stream contains no closed captions, or if no video is being decoded, the CC track will remain empty and will not show any text. Note (X11) This option does not work properly with all window managers. In these cases, you can try to use --geometry to position the window explicitly. It's also possible that the window manager provides native features to control which screens application windows should use. See also --fs-screen. --fullscreen, --fs Fullscreen playback. --fs-screen= In multi-monitor configurations (i.e. A single desktop that spans across multiple displays), this option tells mpv which screen to go fullscreen to. If default is provided mpv will fallback on using the behavior depending on what the user provided with the screen option. Note (OS X) all does not work on OS X and will behave like current. See also --screen. --keep-open= Do not terminate when playing or seeking beyond the end of the file, and there is not next file to be played (and --loop is not used). Instead, pause the player. When trying to seek beyond end of the file, the player will attempt to seek to the last frame. Normally, this will act like set pause yes on EOF, unless the --keep-open-pause=no option is set. The following arguments can be given: no: If the current file ends, go to the next file or terminate. (Default.) yes: Don't terminate if the current file is the last playlist entry. Equivalent to --keep-open without arguments. Always: Like yes, but also applies to files before the last playlist entry. This means playback will never automatically advance to the next file. Note This option is not respected when using --frames. Explicitly skipping to the next file if the binding uses force will terminate playback as well. Also, if errors or unusual circumstances happen, the player can quit anyway. Since mpv 0.6.0, this doesn't pause if there is a next file in the playlist, or the playlist is looped. Approximately, this will pause when the player would normally exit, but in practice there are corner cases in which this is not the case (e.g. Mpv --keep-open file.mkv /dev/null will play file.mkv normally, then fail to open /dev/null, then exit). (In mpv 0.8.0, always was introduced, which restores the old behavior.) --keep-open-pause= If set to no, instead of pausing when --keep-open is active, just stop at end of file and continue playing forward when you seek backwards until end where it stops again. Default: yes. --image-display-duration= If the current file is an image, play the image for the given amount of seconds (default: 1). Inf means the file is kept open forever (until the user stops playback manually). Unlike --keep-open, the player is not paused, but simply continues playback until the time has elapsed. (It should not use any resources during 'playback'.) This affects image files, which are defined as having only 1 video frame and no audio. The player may recognize certain non-images as images, for example if --length is used to reduce the length to 1 frame, or if you seek to the last frame. This option does not affect the framerate used for mf:// or --merge-files. For that, use --mf-fps instead. --force-window= Create a video output window even if there is no video. This can be useful when pretending that mpv is a GUI application. Currently, the window always has the size 640x480, and is subject to --geometry, --autofit, and similar options. Warning The window is created only after initialization (to make sure default window placement still works if the video size is different from the --force-window default window size). This can be a problem if initialization doesn't work perfectly, such as when opening URLs with bad network connection, or opening broken video files. The immediate mode can be used to create the window always on program start, but this may cause other issues. --taskbar-progress, --no-taskbar-progress (Windows only) Enable/disable playback progress rendering in taskbar (Windows 7 and above). Enabled by default. --snap-window (Windows only) Snap the player window to screen edges. --ontop Makes the player window stay on top of other windows. On Windows, if combined with fullscreen mode, this causes mpv to be treated as exclusive fullscreen window that bypasses the Desktop Window Manager. --ontop-level= (OS X only) Sets the level of an ontop window (default: window). Window: On top of all other windows. System: On top of system elements like Taskbar, Menubar and Dock. Level: A level as integer. --border, --no-border Play video with window border and decorations. Since this is on by default, use --no-border to disable the standard window decorations. --fit-border, --no-fit-border (Windows only) Fit the whole window with border and decorations on the screen. Since this is on by default, use --no-fit-border to make mpv try to only fit client area with video on the screen. This behavior only applied to window/video with size exceeding size of the screen. --on-all-workspaces (X11 only) Show the video window on all virtual desktops. --geometry=, --geometry= Adjust the initial window position or size. W and H set the window size in pixels. X and y set the window position, measured in pixels from the top-left corner of the screen to the top-left corner of the image being displayed. If a percentage sign (%) is given after the argument, it turns the value into a percentage of the screen size in that direction. Positions are specified similar to the standard X11 --geometry option format, in which e.g. +10-50 means 'place 10 pixels from the left border and 50 pixels from the lower border' and '--20+-10' means 'place 20 pixels beyond the right and 10 pixels beyond the top border'. If an external window is specified using the --wid option, this option is ignored. The coordinates are relative to the screen given with --screen for the video output drivers that fully support --screen. Examples 50:40 Places the window at x=50, y=40. 50%:50% Places the window in the middle of the screen. 100%:100% Places the window at the bottom right corner of the screen. 50% Sets the window width to half the screen width. Window height is set so that the window has the video aspect ratio. 50%x50% Forces the window width and height to half the screen width and height. Will show black borders to compensate for the video aspect ratio (with most VOs and without --no-keepaspect). 50%+10+10 Sets the window to half the screen widths, and positions it 10 pixels below/left of the top left corner of the screen. See also --autofit and --autofit-larger for fitting the window into a given size without changing aspect ratio. --autofit= Set the initial window size to a maximum size specified by WxH, without changing the window's aspect ratio. The size is measured in pixels, or if a number is followed by a percentage sign (%), in percents of the screen size. This option never changes the aspect ratio of the window. If the aspect ratio mismatches, the window's size is reduced until it fits into the specified size. Window position is not taken into account, nor is it modified by this option (the window manager still may place the window differently depending on size). Use --geometry to change the window position. Its effects are applied after this option. See --geometry for details how this is handled with multi-monitor setups. Use --autofit-larger instead if you just want to limit the maximum size of the window, rather than always forcing a window size. Use --geometry if you want to force both window width and height to a specific size. Example 500x500 Make the window at least 500 pixels wide and 500 pixels high (depending on the video aspect ratio, the width or height will be larger than 500 in order to keep the aspect ratio the same). --window-scale= Resize the video window to a multiple (or fraction) of the video size. This option is applied before --autofit and other options are applied (so they override this option). For example, --window-scale=0.5 would show the window at half the video size. --cursor-autohide= Make mouse cursor automatically hide after given number of milliseconds. No will disable cursor autohide. Always means the cursor will stay hidden. --cursor-autohide-fs-only If this option is given, the cursor is always visible in windowed mode. In fullscreen mode, the cursor is shown or hidden according to --cursor-autohide. --no-fixed-vo, --fixed-vo --no-fixed-vo enforces closing and reopening the video window for multiple files (one (un)initialization for each file). --force-rgba-osd-rendering Change how some video outputs render the OSD and text subtitles. This does not change appearance of the subtitles and only has performance implications. For VOs which support native ASS rendering (like gpu, vdpau, direct3d), this can be slightly faster or slower, depending on GPU drivers and hardware. For other VOs, this just makes rendering slower. --force-window-position Forcefully move mpv's video output window to default location whenever there is a change in video parameters, video stream or file. This used to be the default behavior. Currently only affects X11 VOs. --no-keepaspect, --keepaspect --no-keepaspect will always stretch the video to window size, and will disable the window manager hints that force the window aspect ratio. (Ignored in fullscreen mode.) --no-keepaspect-window, --keepaspect-window --keepaspect-window (the default) will lock the window size to the video aspect. --no-keepaspect-window disables this behavior, and will instead add black bars if window aspect and video aspect mismatch. Whether this actually works depends on the VO backend. (Ignored in fullscreen mode.) --monitoraspect= Set the aspect ratio of your monitor or TV screen. A value of 0 disables a previous setting (e.g. In the config file). Overrides the --monitorpixelaspect setting if enabled. See also --monitorpixelaspect and --video-aspect. Examples • --monitoraspect=4:3 or --monitoraspect=1.3333 • --monitoraspect=16:9 or --monitoraspect=1.7777 --hidpi-window-scale, --no-hidpi-window-scale (OS X and X11 only) Scale the window size according to the backing scale factor (default: yes). On regular HiDPI resolutions the window opens with double the size but appears as having the same size as on none-HiDPI resolutions. This is the default OS X behavior. --native-fs, --no-native-fs (OS X only) Uses the native fullscreen mechanism of the OS (default: yes). --monitorpixelaspect= Set the aspect of a single pixel of your monitor or TV screen (default: 1). A value of 1 means square pixels (correct for (almost?) all LCDs). See also --monitoraspect and --video-aspect. --stop-screensaver, --no-stop-screensaver Turns off the screensaver (or screen blanker and similar mechanisms) at startup and turns it on again on exit (default: yes). The screensaver is always re-enabled when the player is paused. This is not supported on all video outputs or platforms. Sometimes it is implemented, but does not work (known to happen with GNOME). You might be able to work around this using --heartbeat-cmd instead. --wid= This tells mpv to attach to an existing window. If a VO is selected that supports this option, it will use that window for video output. Mpv will scale the video to the size of this window, and will add black bars to compensate if the aspect ratio of the video is different. On X11, the ID is interpreted as a Window on X11. Unlike MPlayer/mplayer2, mpv always creates its own window, and sets the wid window as parent. The window will always be resized to cover the parent window fully. The value 0 is interpreted specially, and mpv will draw directly on the root window. On win32, the ID is interpreted as HWND. Pass it as value cast to intptr_t. Mpv will create its own window, and set the wid window as parent, like with X11. On OSX/Cocoa, the ID is interpreted as NSView*. Pass it as value cast to intptr_t. Mpv will create its own sub-view. Because OSX does not support window embedding of foreign processes, this works only with libmpv, and will crash when used from the command line. On Android, the ID is interpreted as android.view.Surface. Pass it as a value cast to intptr_t. Use with --vo=mediacodec_embed and --hwdec=mediacodec for direct rendering using MediaCodec, or with --vo=gpu --gpu-context=android (with or without --hwdec=mediacodec-copy). --no-window-dragging Don't move the window when clicking on it and moving the mouse pointer. --x11-name Set the window class name for X11-based video output methods. --x11-netwm= (X11 only) Control the use of NetWM protocol features. This may or may not help with broken window managers. This provides some functionality that was implemented by the now removed --fstype option. Actually, it is not known to the developers to which degree this option was needed, so feedback is welcome. Specifically, yes will force use of NetWM fullscreen support, even if not advertised by the WM. This can be useful for WMs that are broken on purpose, like XMonad. (XMonad supposedly doesn't advertise fullscreen support, because Flash uses it. Apparently, applications which want to use fullscreen anyway are supposed to either ignore the NetWM support hints, or provide a workaround. Shame on XMonad for deliberately breaking X protocols (as if X isn't bad enough already). By default, NetWM support is autodetected ( auto). This option might be removed in the future. --x11-bypass-compositor= If set to yes, then ask the compositor to unredirect the mpv window (default: fs-only). This uses the _NET_WM_BYPASS_COMPOSITOR hint. Fs-only asks the window manager to disable the compositor only in fullscreen mode. No sets _NET_WM_BYPASS_COMPOSITOR to 0, which is the default value as declared by the EWMH specification, i.e. No change is done. Never asks the window manager to never disable the compositor. Example mpv bd:// --bluray-device=/path/to/bd/ --cdda. These options can be used to tune the CD Audio reading feature of mpv. --cdda-speed= Set CD spin speed. --cdda-paranoia= Set paranoia level. Values other than 0 seem to break playback of anything but the first track. 0: disable checking (default) 1: overlap checking only 2: full data correction and verification --cdda-sector-size= Set atomic read size. --cdda-overlap= Force minimum overlap search during verification to sectors. --cdda-toc-bias Assume that the beginning offset of track 1 as reported in the TOC will be addressed as LBA 0. Some discs need this for getting track boundaries correctly. --cdda-toc-offset= Add sectors to the values reported when addressing tracks. May be negative. --cdda-skip= (Never) accept imperfect data reconstruction. --cdda-cdtext= Print CD text. This is disabled by default, because it ruins performance with CD-ROM drives for unknown reasons. --dvd-speed= Try to limit DVD speed (default: 0, no change). DVD base speed is 1385 kB/s, so an 8x drive can read at speeds up to 11080 kB/s. Slower speeds make the drive more quiet. For watching DVDs, 2700 kB/s should be quiet and fast enough. Mpv resets the speed to the drive default value on close. Values of at least 100 mean speed in kB/s. Values less than 100 mean multiples of 1385 kB/s, i.e. --dvd-speed=8 selects 11080 kB/s. Equalizer --brightness= Adjust the brightness of the video signal (default: 0). Not supported by all video output drivers. --contrast= Adjust the contrast of the video signal (default: 0). Not supported by all video output drivers. --saturation= Adjust the saturation of the video signal (default: 0). You can get grayscale output with this option. Not supported by all video output drivers. --gamma= Adjust the gamma of the video signal (default: 0). Not supported by all video output drivers. --hue= Adjust the hue of the video signal (default: 0). You can get a colored negative of the image with this option. Not supported by all video output drivers. Demuxer --demuxer= Force demuxer type. Use a '+' before the name to force it; this will skip some checks. Give the demuxer name as printed by --demuxer=help. --demuxer-lavf-analyzeduration= Maximum length in seconds to analyze the stream properties. --demuxer-lavf-probe-info= Whether to probe stream information (default: auto). Technically, this controls whether libavformat's avformat_find_stream_info() function is called. Usually it's safer to call it, but it can also make startup slower. The auto choice (the default) tries to skip this for a few know-safe whitelisted formats, while calling it for everything else. --demuxer-lavf-probescore= Minimum required libavformat probe score. Lower values will require less data to be loaded (makes streams start faster), but makes file format detection less reliable. Can be used to force auto-detected libavformat demuxers, even if libavformat considers the detection not reliable enough. (Default: 26.) --demuxer-lavf-allow-mimetype= Allow deriving the format from the HTTP MIME type (default: yes). Set this to no in case playing things from HTTP mysteriously fails, even though the same files work from local disk. This is default in order to reduce latency when opening HTTP streams. --demuxer-lavf-format= Force a specific libavformat demuxer. --demuxer-lavf-hacks= By default, some formats will be handled differently from other formats by explicitly checking for them. Most of these compensate for weird or imperfect behavior from libavformat demuxers. Passing no disables these. For debugging and testing only. --demuxer-lavf-genpts-mode= Mode for deriving missing packet PTS values from packet DTS. Lavf enables libavformat's genpts option. No disables it. This used to be enabled by default, but then it was deemed as not needed anymore. Enabling this might help with timestamp problems, or make them worse. --demuxer-lavf-o==[,=[.]] Pass AVOptions to libavformat demuxer. Note, a patch to make the o= unneeded and pass all unknown options through the AVOption system is welcome. A full list of AVOptions can be found in the FFmpeg manual. Note that some options may conflict with mpv options. Example --demuxer-lavf-o=fflags=+ignidx --demuxer-lavf-probesize= Maximum amount of data to probe during the detection phase. In the case of MPEG-TS this value identifies the maximum number of TS packets to scan. --demuxer-lavf-buffersize= Size of the stream read buffer allocated for libavformat in bytes (default: 32768). Lowering the size could lower latency. Note that libavformat might reallocate the buffer internally, or not fully use all of it. --demuxer-mkv-subtitle-preroll=, --mkv-subtitle-preroll Try harder to show embedded soft subtitles when seeking somewhere. Normally, it can happen that the subtitle at the seek target is not shown due to how some container file formats are designed. The subtitles appear only if seeking before or exactly to the position a subtitle first appears. To make this worse, subtitles are often timed to appear a very small amount before the associated video frame, so that seeking to the video frame typically does not demux the subtitle at that position. Enabling this option makes the demuxer start reading data a bit before the seek target, so that subtitles appear correctly. Note that this makes seeking slower, and is not guaranteed to always work. It only works if the subtitle is close enough to the seek target. Works with the internal Matroska demuxer only. Always enabled for absolute and hr-seeks, and this option changes behavior with relative or imprecise seeks only. You can use the --demuxer-mkv-subtitle-preroll-secs option to specify how much data the demuxer should pre-read at most in order to find subtitle packets that may overlap. Setting this to 0 will effectively disable this preroll mechanism. Setting a very large value can make seeking very slow, and an extremely large value would completely reread the entire file from start to seek target on every seek - seeking can become slower towards the end of the file. The details are messy, and the value is actually rounded down to the cluster with the previous video keyframe. Some files, especially files muxed with newer mkvmerge versions, have information embedded that can be used to determine what subtitle packets overlap with a seek target. In these cases, mpv will reduce the amount of data read to a minimum. (Although it will still read all data between the cluster that contains the first wanted subtitle packet, and the seek target.) If the index choice (which is the default) is specified, then prerolling will be done only if this information is actually available. If this method is used, the maximum amount of data to skip can be additionally controlled by --demuxer-mkv-subtitle-preroll-secs-index (it still uses the value of the option without -index if that is higher). See also --hr-seek-demuxer-offset option. This option can achieve a similar effect, but only if hr-seek is active. It works with any demuxer, but makes seeking much slower, as it has to decode audio and video data instead of just skipping over it. --mkv-subtitle-preroll is a deprecated alias. --demuxer-mkv-subtitle-preroll-secs= See --demuxer-mkv-subtitle-preroll. --demuxer-mkv-subtitle-preroll-secs-index= See --demuxer-mkv-subtitle-preroll. --demuxer-mkv-probe-video-duration= When opening the file, seek to the end of it, and check what timestamp the last video packet has, and report that as file duration. This is strictly for compatibility with Haali only. In this mode, it's possible that opening will be slower (especially when playing over http), or that behavior with broken files is much worse. So don't use this option. The yes mode merely uses the index and reads a small number of blocks from the end of the file. The full mode actually traverses the entire file and can make a reliable estimate even without an index present (such as partial files). --demuxer-rawaudio-channels= Number of channels (or channel layout) if --demuxer=rawaudio is used (default: stereo). --demuxer-rawaudio-format= Sample format for --demuxer=rawaudio (default: s16le). Use --demuxer-rawaudio-format=help to get a list of all formats. --demuxer-rawaudio-rate= Sample rate for --demuxer=rawaudio (default: 44 kHz). --demuxer-rawvideo-fps= Rate in frames per second for --demuxer=rawvideo (default: 25.0). --demuxer-rawvideo-w=, --demuxer-rawvideo-h= Image dimension in pixels for --demuxer=rawvideo. Example Play a raw YUV sample: mpv sample-720x576.yuv --demuxer=rawvideo --demuxer-rawvideo-w=720 --demuxer-rawvideo-h=576 --demuxer-rawvideo-format= Color space (fourcc) in hex or string for --demuxer=rawvideo (default: YV12). --demuxer-rawvideo-mp-format= Color space by internal video format for --demuxer=rawvideo. Use --demuxer-rawvideo-mp-format=help for a list of possible formats. --demuxer-rawvideo-codec= Set the video codec instead of selecting the rawvideo codec when using --demuxer=rawvideo. This uses the same values as codec names in --vd (but it does not accept decoder names). --demuxer-rawvideo-size= Frame size in bytes when using --demuxer=rawvideo. --demuxer-max-bytes= This controls how much the demuxer is allowed to buffer ahead. The demuxer will normally try to read ahead as much as necessary, or as much is requested with --demuxer-readahead-secs. The option can be used to restrict the maximum readahead. This limits excessive readahead in case of broken files or desynced playback. The demuxer will stop reading additional packets as soon as one of the limits is reached. (The limits still can be slightly overstepped due to technical reasons.) Set these limits higher if you get a packet queue overflow warning, and you think normal playback would be possible with a larger packet queue. See --list-options for defaults and value range. --demuxer-max-back-bytes= This controls how much past data the demuxer is allowed to preserve. This is useful only if the --demuxer-seekable-cache option is enabled. Unlike the forward cache, there is no control how many seconds are actually cached - it will simply use as much memory this option allows. Setting this option to 0 will strictly disable any back buffer, but this will lead to the situation that the forward seek range starts after the current playback position (as it removes past packets that are seek points). Keep in mind that other buffers in the player (like decoders) will cause the demuxer to cache 'future' frames in the back buffer, which can skew the impression about how much data the backbuffer contains. See --list-options for defaults and value range. --demuxer-seekable-cache= This controls whether seeking can use the demuxer cache (default: auto). If enabled, short seek offsets will not trigger a low level demuxer seek (which means for example that slow network round trips or FFmpeg seek bugs can be avoided). If a seek cannot happen within the cached range, a low level seek will be triggered. Seeking outside of the cache will start a new cached range, but can discard the old cache range if the demuxer exhibits certain unsupported behavior. Keep in mind that some events can flush the cache or force a low level seek anyway, such as switching tracks, or attempting to seek before the start or after the end of the file. This option is experimental - thus disabled, and bugs are to be expected. The special value auto means yes in the same situation as --cache-secs is used (i.e. When the stream appears to be a network stream or the stream cache is enabled). --demuxer-thread= Run the demuxer in a separate thread, and let it prefetch a certain amount of packets (default: yes). Having this enabled may lead to smoother playback, but on the other hand can add delays to seeking or track switching. --demuxer-readahead-secs= If --demuxer-thread is enabled, this controls how much the demuxer should buffer ahead in seconds (default: 1). As long as no packet has a timestamp difference higher than the readahead amount relative to the last packet returned to the decoder, the demuxer keeps reading. Note that the --cache-secs option will override this value if a cache is enabled, and the value is larger. (This value tends to be fuzzy, because many file formats don't store linear timestamps.) --prefetch-playlist= Prefetch next playlist entry while playback of the current entry is ending (default: no). This merely opens the URL of the next playlist entry as soon as the current URL is fully read. This does not work with URLs resolved by the youtube-dl wrapper, and it won't. This does not affect HLS (.m3u8 URLs) - HLS prefetching depends on the demuxer cache settings and is on by default. This can give subtly wrong results if per-file options are used, or if options are changed in the time window between prefetching start and next file played. This can occasionally make wrong prefetching decisions. For example, it can't predict whether you go backwards in the playlist, and assumes you won't edit the playlist. Highly experimental. --force-seekable= If the player thinks that the media is not seekable (e.g. Playing from a pipe, or it's an http stream with a server that doesn't support range requests), seeking will be disabled. This option can forcibly enable it. For seeks within the cache, there's a good chance of success. Input --native-keyrepeat Use system settings for keyrepeat delay and rate, instead of --input-ar-delay and --input-ar-rate. (Whether this applies depends on the VO backend and how it handles keyboard input. Does not apply to terminal input.) --input-ar-delay Delay in milliseconds before we start to autorepeat a key (0 to disable). --input-ar-rate Number of key presses to generate per second on autorepeat. --input-conf= Specify input configuration file other than the default location in the mpv configuration directory (usually ~/.config/mpv/input.conf). --no-input-default-bindings Disable mpv default (built-in) key bindings. --input-cmdlist Prints all commands that can be bound to keys. --input-doubleclick-time= Time in milliseconds to recognize two consecutive button presses as a double-click (default: 300). --input-keylist Prints all keys that can be bound to commands. --input-key-fifo-size= Specify the size of the FIFO that buffers key events (default: 7). If it is too small, some events may be lost. The main disadvantage of setting it to a very large value is that if you hold down a key triggering some particularly slow command then the player may be unresponsive while it processes all the queued commands. --input-test Input test mode. Instead of executing commands on key presses, mpv will show the keys and the bound commands on the OSD. Has to be used with a dummy video, and the normal ways to quit the player will not work (key bindings that normally quit will be shown on OSD only, just like any other binding). --input-file= Read commands from the given file. Mostly useful with a FIFO. Since mpv 0.7.0 also understands JSON commands (see ), but you can't get replies or events. Use --input-ipc-server for something bi-directional. On MS Windows, JSON commands are not available. This can also specify a direct file descriptor with fd://N (UNIX only). In this case, JSON replies will be written if the FD is writable. Note When the given file is a FIFO mpv opens both ends, so you can do several echo 'seek 10' > mp_pipe and the pipe will stay valid. --input-terminal, --no-input-terminal --no-input-terminal prevents the player from reading key events from standard input. Useful when reading data from standard input. This is automatically enabled when - is found on the command line. There are situations where you have to set it manually, e.g. If you open /dev/stdin (or the equivalent on your system), use stdin in a playlist or intend to read from stdin later on via the loadfile or loadlist input commands. --input-ipc-server= Enable the IPC support and create the listening socket at the given path. On Linux and Unix, the given path is a regular filesystem path. On Windows, named pipes are used, so the path refers to the pipe namespace (. Pipe prefix is missing, mpv will add it automatically before creating the pipe, so --input-ipc-server=/tmp/mpv-socket and --input-ipc-server=. Pipe tmp mpv-socket are equivalent for IPC on Windows. See for details. --input-appleremote= (OS X only) Enable/disable Apple Remote support. Enabled by default (except for libmpv). --input-cursor, --no-input-cursor Permit mpv to receive pointer events reported by the video output driver. Necessary to use the OSC, or to select the buttons in DVD menus. Support depends on the VO in use. --input-media-keys= (OS X and Windows only) Enable/disable media keys support. Enabled by default (except for libmpv). --input-right-alt-gr, --no-input-right-alt-gr (Cocoa and Windows only) Use the right Alt key as Alt Gr to produce special characters. If disabled, count the right Alt as an Alt modifier key. Enabled by default. --input-vo-keyboard= Disable all keyboard input on for VOs which can't participate in proper keyboard input dispatching. May not affect all VOs. Generally useful for embedding only. On X11, a sub-window with input enabled grabs all keyboard input as long as it is 1. A child of a focused window, and 2. The mouse is inside of the sub-window. It can steal away all keyboard input from the application embedding the mpv window, and on the other hand, the mpv window will receive no input if the mouse is outside of the mpv window, even though mpv has focus. Modern toolkits work around this weird X11 behavior, but naively embedding foreign windows breaks it. The only way to handle this reasonably is using the XEmbed protocol, which was designed to solve these problems. GTK provides GtkSocket, which supports XEmbed. Qt doesn't seem to provide anything working in newer versions. If the embedder supports XEmbed, input should work with default settings and with this option disabled. Note that input-default-bindings is disabled by default in libmpv as well - it should be enabled if you want the mpv default key bindings. (This option was renamed from --input-x11-keyboard.). OSD --osc, --no-osc Whether to load the on-screen-controller (default: yes). --no-osd-bar, --osd-bar Disable display of the OSD bar. This will make some things (like seeking) use OSD text messages instead of the bar. You can configure this on a per-command basis in input.conf using osd- prefixes, see Input command prefixes. If you want to disable the OSD completely, use --osd-level=0. --osd-duration= Set the duration of the OSD messages in ms (default: 1000). --osd-font= Specify font to use for OSD. The default is sans-serif. Note ignored when --osd-back-color is specified (or more exactly: when that option is not set to completely transparent). --osd-border-size= Size of the OSD font border in scaled pixels (see --sub-font-size for details). A value of 0 disables borders. --osd-color= Specify the color used for OSD. See --sub-color for details. --osd-fractions Show OSD times with fractions of seconds (in millisecond precision). Useful to see the exact timestamp of a video frame. --osd-level= Specifies which mode the OSD should start in. 0: OSD completely disabled (subtitles only) 1: enabled (shows up only on user interaction) 2: enabled + current time visible by default 3: enabled + --osd-status-msg (current time and status by default) --osd-margin-x= Left and right screen margin for the OSD in scaled pixels (see --sub-font-size for details). This option specifies the distance of the OSD to the left, as well as at which distance from the right border long OSD text will be broken. --osd-margin-y= Top and bottom screen margin for the OSD in scaled pixels (see --sub-font-size for details). This option specifies the vertical margins of the OSD. --osd-align-x= Control to which corner of the screen OSD should be aligned to (default: left). --osd-align-y= Vertical position (default: top). Details see --osd-align-x. --osd-scale= OSD font size multiplier, multiplied with --osd-font-size value. --osd-scale-by-window= Whether to scale the OSD with the window size (default: yes). If this is disabled, --osd-font-size and other OSD options that use scaled pixels are always in actual pixels. The effect is that changing the window size won't change the OSD font size. --osd-shadow-color= See --sub-color. Color used for OSD shadow. --osd-shadow-offset= Displacement of the OSD shadow in scaled pixels (see --sub-font-size for details). A value of 0 disables shadows. --osd-spacing= Horizontal OSD/sub font spacing in scaled pixels (see --sub-font-size for details). This value is added to the normal letter spacing. Negative values are allowed. --video-osd= Enabled OSD rendering on the video window (default: yes). This can be used in situations where terminal OSD is preferred. If you just want to disable all OSD rendering, use --osd-level=0. It does not affect subtitles or overlays created by scripts (in particular, the OSC needs to be disabled with --no-osc). This option is somewhat experimental and could be replaced by another mechanism in the future. Software Scaler --sws-scaler= Specify the software scaler algorithm to be used with --vf=scale. This also affects video output drivers which lack hardware acceleration, e.g. See also --vf=scale. To get a list of available scalers, run --sws-scaler=help. Default: bicubic. --sws-lgb= Software scaler Gaussian blur filter (luma). See --sws-scaler. --sws-cgb= Software scaler Gaussian blur filter (chroma). See --sws-scaler. --sws-ls= Software scaler sharpen filter (luma). See --sws-scaler. --sws-cs= Software scaler sharpen filter (chroma). See --sws-scaler. --sws-chs= Software scaler chroma horizontal shifting. See --sws-scaler. --sws-cvs= Software scaler chroma vertical shifting. See --sws-scaler. Terminal --quiet Make console output less verbose; in particular, prevents the status line (i.e. AV: 3.4 (00:00:03.37) / 5320.6.) from being displayed. Particularly useful on slow terminals or broken ones which do not properly handle carriage return (i.e. See also: --really-quiet and --msg-level. --really-quiet Display even less output and status messages than with --quiet. --no-terminal, --terminal Disable any use of the terminal and stdin/stdout/stderr. This completely silences any message output. Unlike --really-quiet, this disables input and terminal initialization as well. --no-msg-color Disable colorful console output on terminals. --msg-level= Control verbosity directly for each module. The all module changes the verbosity of all the modules. The verbosity changes from this option are applied in order from left to right, and each item can override a previous one. Run mpv with --msg-level=all=trace to see all messages mpv outputs. You can use the module names printed in the output (prefixed to each line in [.]) to limit the output to interesting modules. This also affects --log-file, and in certain cases libmpv API logging. These options tune various properties of the TV capture module. For watching TV with mpv, use tv:// or tv:// or even tv:// (see option tv-channels for channel_name below) as a media URL. You can also use tv:/// to start watching a video from a composite or S-Video input (see option input for details). --tv-device= Specify TV device (default: /dev/video0). --tv-channel= Set tuner to channel. --no-tv-audio no sound --tv-automute= (v4l and v4l2 only) If signal strength reported by device is less than this value, audio and video will be muted. In most cases automute=100 will be enough. Default is 0 (automute disabled). --tv-driver= See --tv=driver=help for a list of compiled-in TV input drivers. Available: dummy, v4l2 (default: autodetect) --tv-input= Specify input (default: 0 (TV), see console output for available inputs). --tv-freq= Specify the frequency to set the tuner to (e.g. Not compatible with the channels parameter. --tv-outfmt= Specify the output format of the tuner with a preset value supported by the V4L driver (YV12, UYVY, YUY2, I420) or an arbitrary format given as hex value. --tv-width= output window width --tv-height= output window height --tv-fps= framerate at which to capture video (frames per second) --tv-buffersize= maximum size of the capture buffer in megabytes (default: dynamical) --tv-norm= See the console output for a list of all available norms. See also: --tv-normid. --tv-normid= (v4l2 only) Sets the TV norm to the given numeric ID. The TV norm depends on the capture card. See the console output for a list of available TV norms. --tv-chanlist= available: argentina, australia, china-bcast, europe-east, europe-west, france, ireland, italy, japan-bcast, japan-cable, newzealand, russia, southafrica, us-bcast, us-cable, us-cable-hrc --tv-channels=-[=],-[=]. Set names for channels. Examples tv://1, tv://TV1, tv_set_channel 1, tv_set_channel TV1 --tv-[brightness|contrast|hue|saturation]= Set the image equalizer on the card. --tv-audiorate= Set input audio sample rate. --tv-forceaudio Capture audio even if there are no audio sources reported by v4l. --tv-alsa Capture from ALSA. --tv-amode= Choose an audio mode: 0: mono 1: stereo 2: language 1 3: language 2 --tv-forcechan= By default, the count of recorded audio channels is determined automatically by querying the audio mode from the TV card. This option allows forcing stereo/mono recording regardless of the amode option and the values returned by v4l. This can be used for troubleshooting when the TV card is unable to report the current audio mode. --tv-adevice= Set an audio device. Should be /dev/xxx for OSS and a hardware ID for ALSA. You must replace any ':' by a '.' In the hardware ID for ALSA. --tv-audioid= Choose an audio output of the capture card, if it has more than one. --tv-[volume|bass|treble|balance]= These options set parameters of the mixer on the video capture card. They will have no effect, if your card does not have one. For v4l2 50 maps to the default value of the control, as reported by the driver. --tv-gain= Set gain control for video devices (usually webcams) to the desired value and switch off automatic control. A value of 0 enables automatic control. If this option is omitted, gain control will not be modified. --tv-immediatemode= A value of 0 means capture and buffer audio and video together. A value of 1 (default) means to do video capture only and let the audio go through a loopback cable from the TV card to the sound card. --tv-mjpeg Use hardware MJPEG compression (if the card supports it). When using this option, you do not need to specify the width and height of the output window, because mpv will determine it automatically from the decimation value (see below). --tv-decimation= choose the size of the picture that will be compressed by hardware MJPEG compression: 1: full size • 704x576 PAL • 704x480 NTSC 2: medium size • 352x288 PAL • 352x240 NTSC 4: small size • 176x144 PAL • 176x120 NTSC --tv-quality= Choose the quality of the JPEG compression ( Specify delay in seconds before switching to next channel (default: 0.5). Lower values will cause faster scanning, but can detect inactive TV channels as active. --tv-scan-threshold= Threshold value for the signal strength (in percent), as reported by the device (default: 50). A signal strength higher than this value will indicate that the currently scanning channel is active. Cache --cache= Set the size of the cache in kilobytes, disable it with no, or automatically enable it if needed with auto (default: auto). With auto, the cache will usually be enabled for network streams, using the size set by --cache-default. With yes, the cache will always be enabled with the size set by --cache-default (unless the stream cannot be cached, or --cache-default disables caching). May be useful when playing files from slow media, but can also have negative effects, especially with file formats that require a lot of seeking, such as MP4. Note that half the cache size will be used to allow fast seeking back. This is also the reason why a full cache is usually not reported as 100% full. The cache fill display does not include the part of the cache reserved for seeking back. The actual maximum percentage will usually be the ratio between readahead and backbuffer sizes. --cache-default= Set the size of the cache in kilobytes (default: 75000 KB). Using no will not automatically enable the cache e.g. When playing from a network stream. Note that using --cache will always override this option. --cache-initial= Playback will start when the cache has been filled up with this many kilobytes of data (default: 0). --cache-seek-min= If a seek is to be made to a position within of the cache size from the current position, mpv will wait for the cache to be filled to this position rather than performing a stream seek (default: 500). This matters for small forward seeks. With slow streams (especially HTTP streams) there is a tradeoff between skipping the data between current position and seek destination, or performing an actual seek. Depending on the situation, either of these might be slower than the other method. This option allows control over this. --cache-backbuffer= Size of the cache back buffer (default: 75000 KB). This will add to the total cache size, and reserved the amount for seeking back. The reserved amount will not be used for readahead, and instead preserves already read data to enable fast seeking back. --cache-file= Create a cache file on the filesystem. There are two ways of using this: • Passing a path (a filename). The file will always be overwritten. When the general cache is enabled, this file cache will be used to store whatever is read from the source stream. This will always overwrite the cache file, and you can't use an existing cache file to resume playback of a stream. (Technically, mpv wouldn't even know which blocks in the file are valid and which not.) The resulting file will not necessarily contain all data of the source stream. For example, if you seek, the parts that were skipped over are never read and consequently are not written to the cache. The skipped over parts are filled with zeros. This means that the cache file doesn't necessarily correspond to a full download of the source stream. Both of these issues could be improved if there is any user interest. Warning Causes random corruption when used with ordered chapters or with --audio-file. • Passing the string TMP. This will not be interpreted as filename. Instead, an invisible temporary file is created. It depends on your C library where this file is created (usually /tmp/), and whether filename is visible (the tmpfile() function is used). On some systems, automatic deletion of the cache file might not be guaranteed. If you want to use a file cache, this mode is recommended, because it doesn't break ordered chapters or --audio-file. These modes open multiple cache streams, and using the same file for them obviously clashes. See also: --cache-file-size. --cache-file-size= Maximum size of the file created with --cache-file. For read accesses above this size, the cache is simply not used. Keep in mind that some use-cases, like playing ordered chapters with cache enabled, will actually create multiple cache files, each of which will use up to this much disk space. (Default: 1048576, 1 GB.) --no-cache Turn off input stream caching. --cache-secs= How many seconds of audio/video to prefetch if the cache is active. This overrides the --demuxer-readahead-secs option if and only if the cache is enabled and the value is larger. (Default: 120.) --cache-pause, --no-cache-pause Whether the player should automatically pause when the cache runs low, and unpause once more data is available ('buffering'). Example mpv --http-header-fields='Field1: value1','Field2: value2' Will generate HTTP request: GET / HTTP/1.0 Host: localhost:1234 User-Agent: MPlayer Icy-MetaData: 1 Field1: value1 Field2: value2 Connection: close --tls-ca-file= Certificate authority database file for use with TLS. (Silently fails with older FFmpeg or Libav versions.) --tls-verify Verify peer certificates when using TLS (e.g. With (Silently fails with older FFmpeg or Libav versions.) --tls-cert-file A file containing a certificate to use in the handshake with the peer. --tls-key-file A file containing the private key for the certificate. --referrer= Specify a referrer path or URL for HTTP requests. --network-timeout= Specify the network timeout in seconds. This affects at least HTTP. The special value 0 (default) uses the FFmpeg/Libav defaults. If a protocol is used which does not support timeouts, this option is silently ignored. --rtsp-transport= Select RTSP transport method (default: tcp). This selects the underlying network transport when playing rtsp://. The value lavf leaves the decision to libavformat. --hls-bitrate=> If HLS streams are played, this option controls what streams are selected by default. The option allows the following parameters: no: Don't do anything special. Typically, this will simply pick the first audio/video streams it can find. Min: Pick the streams with the lowest bitrate. Max: Same, but highest bitrate. (Default.) Additionally, if the option is a number, the stream with the highest rate equal or below the option value is selected. The bitrate as used is sent by the server, and there's no guarantee it's actually meaningful. ALSA audio output options --alsa-device= Deprecated, use --audio-device (requires alsa/ prefix). --alsa-resample=yes Enable ALSA resampling plugin. (This is disabled by default, because some drivers report incorrect audio delay in some cases.) --alsa-mixer-device= Set the mixer device used with ao-volume (default: default). --alsa-mixer-name= Set the name of the mixer element (default: Master). This is for example PCM or Master. --alsa-mixer-index= Set the index of the mixer channel (default: 0). Consider the output of ' amixer scontrols', then the index is the number that follows the name of the element. --alsa-non-interleaved Allow output of non-interleaved formats (if the audio decoder uses this format). Currently disabled by default, because some popular ALSA plugins are utterly broken with non-interleaved formats. --alsa-ignore-chmap Don't read or set the channel map of the ALSA device - only request the required number of channels, and then pass the audio as-is to it. This option most likely should not be used. It can be useful for debugging, or for static setups with a specially engineered ALSA configuration (in this case you should always force the same layout with --audio-channels, or it will work only for files which use the layout implicit to your ALSA device). GPU renderer options The following video options are currently all specific to --vo=gpu and --vo=opengl-cb only, which are the only VOs that implement them. --scale= The filter function to use when upscaling video. Bilinear Bilinear hardware texture filtering (fastest, very low quality). This is the default for compatibility reasons. Spline36 Mid quality and speed. This is the default when using gpu-hq. Lanczos Lanczos scaling. Provides mid quality and speed. Generally worse than spline36, but it results in a slightly sharper image which is good for some content types. The number of taps can be controlled with scale-radius, but is best left unchanged. (This filter is an alias for sinc-windowed sinc) ewa_lanczos Elliptic weighted average Lanczos scaling. Also known as Jinc. Relatively slow, but very good quality. The radius can be controlled with scale-radius. Increasing the radius makes the filter sharper but adds more ringing. (This filter is an alias for jinc-windowed jinc) ewa_lanczossharp A slightly sharpened version of ewa_lanczos, preconfigured to use an ideal radius and parameter. If your hardware can run it, this is probably what you should use by default. Mitchell Mitchell-Netravali. The B and C parameters can be set with --scale-param1 and --scale-param2. This filter is very good at downscaling (see --dscale). Oversample A version of nearest neighbour that (naively) oversamples pixels, so that pixels overlapping edges get linearly interpolated instead of rounded. This essentially removes the small imperfections and judder artifacts caused by nearest-neighbour interpolation, in exchange for adding some blur. This filter is good at temporal interpolation, and also known as 'smoothmotion' (see --tscale). Linear A --tscale filter. There are some more filters, but most are not as useful. For a complete list, pass help as value, e.g.: mpv --scale=help --cscale= As --scale, but for interpolating chroma information. If the image is not subsampled, this option is ignored entirely. --dscale= Like --scale, but apply these filters on downscaling instead. If this option is unset, the filter implied by --scale will be applied. --tscale= The filter used for interpolating the temporal axis (frames). This is only used if --interpolation is enabled. The only valid choices for --tscale are separable convolution filters (use --tscale=help to get a list). The default is mitchell. --scale-param1=, --scale-param2=, --cscale-param1=, --cscale-param2=, --dscale-param1=, --dscale-param2=, --tscale-param1=, --tscale-param2= Set filter parameters. Ignored if the filter is not tunable. Currently, this affects the following filter parameters: bcspline Spline parameters ( B and C). Defaults to 0.5 for both. Gaussian Scale parameter ( t). Increasing this makes the result blurrier. Defaults to 1. Oversample Minimum distance to an edge before interpolation is used. Setting this to 0 will always interpolate edges, whereas setting it to 0.5 will never interpolate, thus behaving as if the regular nearest neighbour algorithm was used. Defaults to 0.0. --scale-blur=, --scale-wblur=, --cscale-blur=, --cscale-wblur=, --dscale-blur=, --dscale-wblur=, --tscale-blur=, --tscale-wblur= Kernel/window scaling factor (also known as a blur factor). Decreasing this makes the result sharper, increasing it makes it blurrier (default 0). If set to 0, the kernel's preferred blur factor is used. Note that setting this too low (eg. 0.5) leads to bad results. It's generally recommended to stick to values between 0.8 and 1.2. --scale-clamp=, --cscale-clamp, --dscale-clamp, --tscale-clamp Specifies a weight bias to multiply into negative coefficients. Specifying --scale-clamp=1 has the effect of removing negative weights completely, thus effectively clamping the value range to [0-1]. Values between 0.0 and 1.0 can be specified to apply only a moderate diminishment of negative weights. This is especially useful for --tscale, where it reduces excessive ringing artifacts in the temporal domain (which typically manifest themselves as short flashes or fringes of black, mostly around moving edges) in exchange for potentially adding more blur. The default for --tscale-clamp is 1.0, the others default to 0.0. --scale-cutoff=, --cscale-cutoff=, --dscale-cutoff= Cut off the filter kernel prematurely once the value range drops below this threshold. Doing so allows more aggressive pruning of skippable coefficients by disregarding parts of the LUT which are effectively zeroed out by the window function. Only affects polar (EWA) filters. The default is 0.001 for each, which is perceptually transparent but provides a 10%-20% speedup, depending on the exact radius and filter kernel chosen. --scale-taper=, --scale-wtaper=, --dscale-taper=, --dscale-wtaper=, --cscale-taper=, --cscale-wtaper=, --tscale-taper=, --tscale-wtaper= Kernel/window taper factor. Increasing this flattens the filter function. Value range is 0 to 1. A value of 0 (the default) means no flattening, a value of 1 makes the filter completely flat (equivalent to a box function). Values in between mean that some portion will be flat and the actual filter function will be squeezed into the space in between. --scale-radius=, --cscale-radius=, --dscale-radius=, --tscale-radius= Set radius for tunable filters, must be a float number between 0.5 and 16.0. Defaults to the filter's preferred radius if not specified. Doesn't work for every scaler and VO combination. Note that depending on filter implementation details and video scaling ratio, the radius that actually being used might be different (most likely being increased a bit). --scale-antiring=, --cscale-antiring=, --dscale-antiring=, --tscale-antiring= Set the antiringing strength. This tries to eliminate ringing, but can introduce other artifacts in the process. Must be a float number between 0.0 and 1.0. The default value of 0.0 disables antiringing entirely. Note that this doesn't affect the special filters bilinear and bicubic_fast, nor does it affect any polar (EWA) scalers. --scale-window=, --cscale-window=, --dscale-window=, --tscale-window= (Advanced users only) Choose a custom windowing function for the kernel. Defaults to the filter's preferred window if unset. Use --scale-window=help to get a list of supported windowing functions. --scale-wparam=, --cscale-wparam=, --cscale-wparam=, --tscale-wparam= (Advanced users only) Configure the parameter for the window function given by --scale-window etc. Ignored if the window is not tunable. Currently, this affects the following window parameters: kaiser Window parameter (alpha). Defaults to 6.33. Blackman Window parameter (alpha). Defaults to 0.16. Gaussian Scale parameter (t). Increasing this makes the window wider. Defaults to 1. --scaler-lut-size= Set the size of the lookup texture for scaler kernels (default: 6). The actual size of the texture is 2^N for an option value of N. So the lookup texture with the default setting uses 64 samples. All weights are linearly interpolated from those samples, so increasing the size of lookup table might improve the accuracy of scaler. --scaler-resizes-only Disable the scaler if the video image is not resized. In that case, bilinear is used instead of whatever is set with --scale. Bilinear will reproduce the source image perfectly if no scaling is performed. Enabled by default. Note that this option never affects --cscale. --linear-scaling Scale in linear light. It should only be used with a --fbo-format that has at least 16 bit precision. This option has no effect on HDR content. --correct-downscaling When using convolution based filters, extend the filter size when downscaling. Increases quality, but reduces performance while downscaling. This will perform slightly sub-optimally for anamorphic video (but still better than without it) since it will extend the size to match only the milder of the scale factors between the axes. --interpolation Reduce stuttering caused by mismatches in the video fps and display refresh rate (also known as judder). Warning This requires setting the --video-sync option to one of the display- modes, or it will be silently disabled. This was not required before mpv 0.14.0. This essentially attempts to interpolate the missing frames by convoluting the video along the temporal axis. The filter used can be controlled using the --tscale setting. --interpolation-threshold= Threshold below which frame ratio interpolation gets disabled (default: 0.0001). This is calculated as abs(disphz/vfps - 1) Set dither target depth to N. No Disable any dithering done by mpv. Auto Automatic selection. If output bit depth cannot be detected, 8 bits per component are assumed. 8 Dither to 8 bit output. Note that the depth of the connected video display device cannot be detected. Often, LCD panels will do dithering on their own, which conflicts with this option and leads to ugly output. --dither-size-fruit= Set the size of the dither matrix (default: 6). The actual size of the matrix is (2^N) x (2^N) for an option value of N, so a value of 6 gives a size of 64x64. The matrix is generated at startup time, and a large matrix can take rather long to compute (seconds). Used in --dither=fruit mode only. --dither= Select dithering algorithm (default: fruit). (Normally, the --dither-depth option controls whether dithering is enabled.) --temporal-dither Enable temporal dithering. (Only active if dithering is enabled in general.) This changes between 8 different dithering patterns on each frame by changing the orientation of the tiled dithering matrix. Unfortunately, this can lead to flicker on LCD displays, since these have a high reaction time. --temporal-dither-period= Determines how often the dithering pattern is updated when --temporal-dither is in use. 1 (the default) will update on every video frame, 2 on every other frame, etc. --gpu-debug Enables GPU debugging. What this means depends on the API type. For OpenGL, it calls glGetError(), and requests a debug context. For Vulkan, it enables validation layers. --opengl-swapinterval= Interval in displayed frames between two buffer swaps. 1 is equivalent to enable VSYNC, 0 to disable VSYNC. Defaults to 1 if not specified. Note that this depends on proper OpenGL vsync support. On some platforms and drivers, this only works reliably when in fullscreen mode. It may also require driver-specific hacks if using multiple monitors, to ensure mpv syncs to the right one. Compositing window managers can also lead to bad results, as can missing or incorrect display FPS information (see --display-fps). --vulkan-swap-mode= Controls the presentation mode of the vulkan swapchain. This is similar to the --opengl-swapinterval option. Auto Use the preferred swapchain mode for the vulkan context. (Default) fifo Non-tearing, vsync blocked. Similar to 'VSync on'. Fifo-relaxed Tearing, vsync blocked. Late frames will tear instead of stuttering. Mailbox Non-tearing, not vsync blocked. Similar to 'triple buffering'. Immediate Tearing, not vsync blocked. Similar to 'VSync off'. --vulkan-queue-count= Controls the number of VkQueues used for rendering (limited by how many your device supports). In theory, using more queues could enable some parallelism between frames (when using a --swapchain-depth higher than 1). (Default: 1) NOTE: Setting this to a value higher than 1 may cause graphical corruption, as mpv's vulkan implementation currently does not try and protect textures against concurrent access. --d3d11-warp= Use WARP (Windows Advanced Rasterization Platform) with the D3D11 GPU backend (default: auto). This is a high performance software renderer. By default, it is only used when the system has no hardware adapters that support D3D11. While the extended GPU features will work with WARP, they can be very slow. --d3d11-feature-level= Select a specific feature level when using the D3D11 GPU backend. By default, the highest available feature level is used. This option can be used to select a lower feature level, which is mainly useful for debugging. Most extended GPU features will not work at 9_x feature levels. --d3d11-flip= Enable flip-model presentation, which avoids unnecessarily copying the backbuffer by sharing surfaces with the DWM (default: yes). This may cause performance issues with older drivers. If flip-model presentation is not supported (for example, on Windows 7 without the platform update), mpv will automatically fall back to the older bitblt presentation model. --d3d11-sync-interval= Schedule each frame to be presented for this number of VBlank intervals. (default: 1) Setting to 1 will enable VSync, setting to 0 will disable it. --d3d11va-zero-copy= By default, when using hardware decoding with --gpu-api=d3d11, the video image will be copied (GPU-to-GPU) from the decoder surface to a shader resource. Set this option to avoid that copy by sampling directly from the decoder image. This may increase performance and reduce power usage, but can cause the image to be sampled incorrectly on the bottom and right edges due to padding, and may invoke driver bugs, since Direct3D 11 technically does not allow sampling from a decoder surface (though most drivers support it.) Currently only relevant for --gpu-api=d3d11. --spirv-compiler= Controls which compiler is used to translate GLSL to SPIR-V. This is (currently) only relevant for --gpu-api=vulkan. The possible choices are: auto Use the first available compiler. (Default) shaderc Use libshaderc, which is an API wrapper around glslang. This is generally the most preferred, if available. Nvidia Use nvidia's built-in compiler. Only works for nvidia GPUs. Can be buggy, but also supports some features glslang does not. Only works with vulkan. --glsl-shaders= Custom GLSL hooks. These are a flexible way to add custom fragment shaders, which can be injected at almost arbitrary points in the rendering pipeline, and access all previous intermediate textures. Each use of the option will add another file to the internal list of shaders (see ). Warning This changes the way subtitle colors are handled. Normally, subtitle colors are assumed to be in sRGB and color managed as such. Enabling this makes them treated as being in the video's color space instead. This is good if you want things like softsubbed ASS signs to match the video colors, but may cause SRT subtitles or similar to look slightly off. --alpha= Decides what to do if the input has an alpha component. Blend-tiles Blend the frame against a 16x16 gray/white tiles background (default). Blend Blend the frame against the background color ( --background, normally black). Yes Try to create a framebuffer with alpha component. This only makes sense if the video contains alpha information (which is extremely rare). May not be supported on all platforms. If alpha framebuffers are unavailable, it silently falls back on a normal framebuffer. Note that if you set the --fbo-format option to a non-default value, a format with alpha must be specified, or this won't work. This does not work on X11 with EGL and Mesa (freedesktop bug 67676). No Ignore alpha component. --opengl-rectangle-textures Force use of rectangle textures (default: no). Normally this shouldn't have any advantages over normal textures. Note that hardware decoding overrides this flag. Could be removed any time. --background= Color used to draw parts of the mpv window not covered by video. See --osd-color option how colors are defined. --gpu-tex-pad-x, --gpu-tex-pad-y Enlarge the video source textures by this many pixels. For debugging only (normally textures are sized exactly, but due to hardware decoding interop we may have to deal with additional padding, which can be tested with these options). Could be removed any time. --opengl-early-flush= Call glFlush() after rendering a frame and before attempting to display it (default: auto). Can fix stuttering in some cases, in other cases probably causes it. The auto mode will call glFlush() only if the renderer is going to wait for a while after rendering, instead of flipping GL front and backbuffers immediately (i.e. It doesn't call it in display-sync mode). --gpu-dumb-mode= This mode is extremely restricted, and will disable most extended features. That includes high quality scalers and custom shaders! It is intended for hardware that does not support FBOs (including GLES, which supports it insufficiently), or to get some more performance out of bad or old hardware. This mode is forced automatically if needed, and this option is mostly useful for debugging. The default of auto will enable it automatically if nothing uses features which require FBOs. This option might be silently removed in the future. --gpu-shader-cache-dir= Store and load compiled GLSL shaders in this directory. Normally, shader compilation is very fast, so this is usually not needed. It mostly matters for GPU APIs that require internally recompiling shaders to other languages, for example anything based on ANGLE or Vulkan. Enabling this can improve startup performance on these platforms. NOTE: This is not cleaned automatically, so old, unused cache files may stick around indefinitely. --cuda-decode-device= Choose the GPU device used for decoding when using the cuda hwdec. By default, the device that is being used to provide OpenGL output will also be used for decoding (and in the vast majority of cases, only one GPU will be present). Note that when using the cuda-copy hwdec, a different option must be passed: --vd-lavc-o=gpu=. Miscellaneous --display-tags=tag1,tags2. Set the list of tags that should be displayed on the terminal. Tags that are in the list, but are not present in the played file, will not be shown. If a value ends with *, all tags are matched by prefix (though there is no general globbing). Just passing * essentially filtering. The default includes a common list of tags, call mpv with --list-options to see it. --mc= Maximum A-V sync correction per frame (in seconds) --autosync= Gradually adjusts the A/V sync based on audio delay measurements. Specifying --autosync=0, the default, will cause frame timing to be based entirely on audio delay measurements. Specifying --autosync=1 will do the same, but will subtly change the A/V correction algorithm. An uneven video framerate in a video which plays fine with --no-audio can often be helped by setting this to an integer value greater than 1. The higher the value, the closer the timing will be to --no-audio. Try --autosync=30 to smooth out problems with sound drivers which do not implement a perfect audio delay measurement. With this value, if large A/V sync offsets occur, they will only take about 1 or 2 seconds to settle out. This delay in reaction time to sudden A/V offsets should be the only side effect of turning this option on, for all sound drivers. --video-sync= How the player synchronizes audio and video. If you use this option, you usually want to set it to display-resample to enable a timing mode that tries to not skip or repeat frames when for example playing 24fps video on a 24Hz screen. The modes starting with display- try to output video frames completely synchronously to the display, using the detected display vertical refresh rate as a hint how fast frames will be displayed on average. These modes change video speed slightly to match the display. See --video-sync. Options for fine tuning. The robustness of this mode is further reduced by making a some idealized assumptions, which may not always apply in reality. Behavior can depend on the VO and the system's video and audio drivers. Media files must use constant framerate. Section-wise VFR might work as well with some container formats (but not e.g. If the sync code detects severe A/V desync, or the framerate cannot be detected, the player automatically reverts to audio mode for some time or permanently. These modes also require a vsync blocked presentation mode. For OpenGL, this translates to --opengl-swapinterval=1. For Vulkan, it translates to --vulkan-swap-mode=fifo (or fifo-relaxed). The modes with desync in their names do not attempt to keep audio/video in sync. They will slowly (or quickly) desync, until e.g. The next seek happens. These modes are meant for testing, not serious use. Audio: Time video frames to audio. This is the most robust mode, because the player doesn't have to assume anything about how the display behaves. The disadvantage is that it can lead to occasional frame drops or repeats. If audio is disabled, this uses the system clock. This is the default mode. Display-resample: Resample audio to match the video. This mode will also try to adjust audio speed to compensate for other drift. (This means it will play the audio at a different speed every once in a while to reduce the A/V difference.) display-resample-vdrop: Resample audio to match the video. Drop video frames to compensate for drift. Display-resample-desync: Like the previous mode, but no A/V compensation. Display-vdrop: Drop or repeat video frames to compensate desyncing video. (Although it should have the same effects as audio, the implementation is very different.) display-adrop: Drop or repeat audio data to compensate desyncing video. See --video-sync-adrop-size. This mode will cause severe audio artifacts if the real monitor refresh rate is too different from the reported or forced rate. Display-desync: Sync video to display, and let audio play on its own. Desync: Sync video according to system clock, and let audio play on its own. --video-sync-max-video-change= Maximum speed difference in percent that is applied to video with --video-sync=display. (default: 1). Display sync mode will be disabled if the monitor and video refresh way do not match within the given range. It tries multiples as well: playing 30 fps video on a 60 Hz screen will duplicate every second frame. Playing 24 fps video on a 60 Hz screen will play video in a 2-3-2-3. The default settings are not loose enough to speed up 23.976 fps video to 25 fps. We consider the pitch change too extreme to allow this behavior by default. Set this option to a value of 5 to enable it. Note that in the --video-sync=display-resample mode, audio speed will additionally be changed by a small amount if necessary for A/V sync. See --video-sync-max-audio-change. --video-sync-max-audio-change= Maximum additional speed difference in percent that is applied to audio with --video-sync=display. (default: 0.125). Normally, the player plays the audio at the speed of the video. But if the difference between audio and video position is too high, e.g. Due to drift or other timing errors, it will attempt to speed up or slow down audio by this additional factor. Too low values could lead to video frame dropping or repeating if the A/V desync cannot be compensated, too high values could lead to chaotic frame dropping due to the audio 'overshooting' and skipping multiple video frames before the sync logic can react. --video-sync-adrop-size= For the --video-sync=display-adrop mode. This mode duplicates/drops audio data to keep audio in sync with video. To avoid audio artifacts on jitter (which would add/remove samples all the time), this is done in relatively large, fixed units, controlled by this option. The unit is seconds. --mf-fps= Framerate used when decoding from multiple PNG or JPEG files with mf:// (default: 1). --mf-type= Input file type for mf:// (available: jpeg, png, tga, sgi). By default, this is guessed from the file extension. --stream-dump= Instead of playing a file, read its byte stream and write it to the given destination file. The destination is overwritten. Can be useful to test network-related behavior. Set AVOptions on streams opened with libavformat. Unknown or misspelled options are silently ignored. (They are mentioned in the terminal output in verbose mode, i.e. In general we can't print errors, because other options such as e.g. User agent are not available with all protocols, and printing errors for unknown options would end up being too noisy.) --vo-mmcss-profile= (Windows only.) Set the MMCSS profile for the video renderer thread (default: Playback). --priority= (Windows only.) Set process priority for mpv according to the predefined priorities available under Windows. Possible values of: idle|belownormal|normal|abovenormal|high|realtime. Warning Using realtime priority can cause system lockup. --force-media-title= Force the contents of the media-title property to this value. Useful for scripts which want to set a title, without overriding the user's setting in --title. --external-files= Load a file and add all of its tracks. This is useful to play different files together (for example audio from one file, video from another), or for advanced --lavfi-complex used (like playing two video files at the same time). Unlike --sub-files and --audio-files, this includes all tracks, and does not cause default stream selection over the 'proper' file. This makes it slightly less intrusive. This is a list option. See for details. --external-file= CLI/config file only alias for --external-files-append. Each use of this option will add a new external files. --autoload-files= Automatically load/select external files (default: yes). If set to no, then do not automatically load external files as specified by --sub-auto and --audio-file-auto. If external files are forcibly added (like with --sub-files), they will not be auto-selected. This does not affect playlist expansion, redirection, or other loading of referenced files like with ordered chapters. --record-file= Record the current stream to the given target file. The target file will always be overwritten without asking. This remuxes the source stream without reencoding, which makes this a highly fragile and experimental feature. It's entirely possible that this writes files which are broken, not standards compliant, not playable with all players (including mpv), or incomplete. The target file format is determined by the file extension of the target filename. It is recommended to use the same target container as the source container if possible, and preferring Matroska as fallback. Seeking during stream recording, or enabling/disabling stream recording during playback, can cut off data, or produce 'holes' in the output file. These are technical restrictions. In particular, video data or subtitles which were read ahead can produce such holes, which might cause playback problems with various players (including mpv). The behavior of this option might changed in the future, such as changing it to a template (similar to --screenshot-template), being renamed, removed, or anything else, until it is declared semi-stable. --lavfi-complex= Set a 'complex' libavfilter filter, which means a single filter graph can take input from multiple source audio and video tracks. The graph can result in a single audio or video output (or both). Currently, the filter graph labels are used to select the participating input tracks and audio/video output. The following rules apply: • A label of the form aidN selects audio track N as input (e.g. • A label of the form vidN selects video track N as input. • A label named ao will be connected to the audio output. • A label named vo will be connected to the video output. Each label can be used only once. If you want to use e.g. An audio stream for multiple filters, you need to use the asplit filter. Multiple video or audio outputs are not possible, but you can use filters to merge them into one. It's not possible to change the tracks connected to the filter at runtime, unless you explicitly change the lavfi-complex property and set new track assignments. When the graph is changed, the track selection is changed according to the used labels as well. Other tracks, as long as they're not connected to the filter, and the corresponding output is not connected to the filter, can still be freely changed with the normal methods. Note that the normal filter chains ( --af, --vf) are applied between the complex graphs (e.g. Ao label) and the actual output. Examples • --lavfi-complex='[aid1] [aid2] amix [ao]' Play audio track 1 and 2 at the same time. • --lavfi-complex='[vid1] [vid2] vstack [vo]' Stack video track 1 and 2 and play them at the same time. Note that both tracks need to have the same width, or filter initialization will fail (you can add scale filters before the vstack filter to fix the size). • --lavfi-complex='[aid1] asplit [t1] [ao]; [t1] showvolume [t2]; [vid1] [t2] overlay [vo]' Play audio track 1, and overlay the measured volume for each speaker over video track 1. • null:// --lavfi-complex='life [vo]' A libavfilter source-only filter (Conways' Life Game). See the FFmpeg libavfilter documentation for details on the available filters. Warning To get multichannel/surround audio, use --audio-channels=auto. The default for this option is auto-safe, which makes this audio otuput explicitly reject multichannel output, as there is no way to detect whether a certain channel layout is actually supported. You can also try. This setup enables multichannel audio on the default device with automatic upmixing with shared access, so playing stereo and multichannel audio at the same time will work as expected. Oss OSS audio output driver The following global options are supported by this audio output: --oss-mixer-device Sets the audio mixer device (default: /dev/mixer). --oss-mixer-channel Sets the audio mixer channel (default: pcm). Other valid values include vol, pcm, line. For a complete list of options look for SOUND_DEVICE_NAMES in /usr/include/linux/soundcard.h. Jack JACK (Jack Audio Connection Kit) audio output driver. The following global options are supported by this audio output: --jack-port= Connects to the ports with the given name (default: physical ports). --jack-name= Client name that is passed to JACK (default: mpv). Useful if you want to have certain connections established automatically. --jack-autostart= Automatically start jackd if necessary (default: disabled). Note that this tends to be unreliable and will flood stdout with server messages. --jack-connect= Automatically create connections to output ports (default: enabled). When enabled, the maximum number of output channels will be limited to the number of available output ports. --jack-std-channel-layout= Select the standard channel layout (default: waveext). JACK itself has no notion of channel layouts (i.e. Assigning which speaker a given channel is supposed to map to) - it just takes whatever the application outputs, and reroutes it to whatever the user defines. This means the user and the application are in charge of dealing with the channel layout. Waveext uses WAVE_FORMAT_EXTENSIBLE order, which, even though it was defined by Microsoft, is the standard on many systems. The value any makes JACK accept whatever comes from the audio filter chain, regardless of channel layout and without reordering. This mode is probably not very useful, other than for debugging or when used with fixed setups. Coreaudio (Mac OS X only) Native Mac OS X audio output driver using AudioUnits and the CoreAudio sound server. Automatically redirects to coreaudio_exclusive when playing compressed formats. The following global options are supported by this audio output: --coreaudio-change-physical-format= Change the physical format to one similar to the requested audio format (default: no). This has the advantage that multichannel audio output will actually work. The disadvantage is that it will change the system-wide audio settings. This is equivalent to changing the Format setting in the Audio Devices dialog in the Audio MIDI Setup utility. Note that this does not affect the selected speaker setup. --coreaudio-spdif-hack= Try to pass through AC3/DTS data as PCM. This is useful for drivers which do not report AC3 support. It converts the AC3 data to float, and assumes the driver will do the inverse conversion, which means a typical A/V receiver will pick it up as compressed IEC framed AC3 stream, ignoring that it's marked as PCM. This disables normal AC3 passthrough (even if the device reports it as supported). Use with extreme care. Coreaudio_exclusive (Mac OS X only) Native Mac OS X audio output driver using direct device access and exclusive mode (bypasses the sound server). Openal Experimental OpenAL audio output driver. Note This driver is not very useful. Playing multi-channel audio with it is slow. Pulse PulseAudio audio output driver The following global options are supported by this audio output: --pulse-host= Specify the host to use. An empty string uses a local connection, 'localhost' uses network transfer (most likely not what you want). --pulse-buffer= Set the audio buffer size in milliseconds. A higher value buffers more data, and has a lower probability of buffer underruns. A smaller value makes the audio stream react faster, e.g. To playback speed changes. Default: 250. --pulse-latency-hacks= Enable hacks to workaround PulseAudio timing bugs (default: no). If enabled, mpv will do elaborate latency calculations on its own. If disabled, it will use PulseAudio automatically updated timing information. Disabling this might help with e.g. Networked audio or some plugins, while enabling it might help in some unknown situations (it used to be required to get good behavior on old PulseAudio versions). If you have stuttering video when using pulse, try to enable this option. (Or try to update PulseAudio.) sdl SDL 1.2+ audio output driver. Should work on any platform supported by SDL 1.2, but may require the SDL_AUDIODRIVER environment variable to be set appropriately for your system. Note This driver is for compatibility with extremely foreign environments, such as systems where none of the other drivers are available. The following global options are supported by this audio output: --sdl-buflen= Sets the audio buffer length in seconds. Is used only as a hint by the sound system. Playing a file with -v will show the requested and obtained exact buffer size. A value of 0 selects the sound system default. --sdl-bufcnt= Sets the number of extra audio buffers in mpv. Usually needs not be changed. Null Produces no audio output but maintains video playback speed. You can use --ao=null --ao-null-untimed for benchmarking. The following global options are supported by this audio output: --ao-null-untimed Do not simulate timing of a perfect audio device. This means audio decoding will go as fast as possible, instead of timing it to the system clock. --ao-null-buffer Simulated buffer length in seconds. --ao-null-outburst Simulated chunk size in samples. --ao-null-speed Simulated audio playback speed as a multiplier. Usually, a real audio device will not go exactly as fast as the system clock. It will deviate just a little, and this option helps to simulate this. --ao-null-latency Simulated device latency. This is additional to EOF. --ao-null-broken-eof Simulate broken audio drivers, which always add the fixed device latency to the reported audio playback position. --ao-null-broken-delay Simulate broken audio drivers, which don't report latency correctly. --ao-null-channel-layouts If not empty, this is a, separated list of channel layouts the AO allows. This can be used to test channel layout selection. Pcm Raw PCM/WAVE file writer audio output The following global options are supported by this audio output: --ao-pcm-waveheader= Include or do not include the WAVE header (default: included). When not included, raw PCM will be generated. --ao-pcm-file= Write the sound to instead of the default audiodump.wav. If no-waveheader is specified, the default is audiodump.pcm. --ao-pcm-append= Append to the file, instead of overwriting it. Always use this with the no-waveheader option - with waveheader it's broken, because it will write a WAVE header every time the file is opened. Rsound Audio output to an RSound daemon. Use --audio-device=rsound/ to set the host name (with replaced, without the ). |
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